New York: Funk & Wagnalls / Sabra Books, 1971. Limited issue first edition, copy #426 of 2000. Signed by Ben-Gurion under his frontis photo. xxii, [ii], 862pp, black and white photo illustrations. Bound in publisher's padded dark blue leather stamped in gilt, top edge gilt, pale blue watered silk endpapers..... More

[Czechoslovakia]: Self Published, 1946. Original typescript memoir with original artwork by a Czech concentration camp survivor. Two volumes. 120; 120a-315 pp., paginated recto only, illustrated with 23 tipped-in pencil illustrations captioned in ink. Screw post binding in red and tan cloth over heavy boards, black topstain, ribbon marker to each..... More

New York: Philosophical Library, [1950]. First edition, first printing. Signed by Albert Einstein on the front free endpaper and dated the year of publication. Above and beneath Einstein's signature, Rabbi Irving Levey has inscribed this book to former owner Harold Rosenstein and written two lines of Hebrew that translate to..... More

Jerusalem: Printed by Joseph Schor, [ca. 1890]. First edition. Twenty-three cardstock leaves bearing mounted pressed flowers from the Holy Land. Bound in publisher's incised wooden boards (most likely olive tree wood) over leather spine lettered in gilt with "Jerusalem" in manuscript Hebrew lettering on front board; all edges marbled. Very..... More

Vienna: Verlag fur Jugend und Volk, 1946. First edition, first printing. 130 pp. In German. Publisher's illustrated white wraps. Very Good, front wrap corner chipped and slight crease along fore edge, faint stamp to front wrap as well, contents toned with age. A scarce book. A Holocaust memoir by..... More

Vienna: Verlag fur Jugend und Volk, 1946. First edition, first printing. Signed by Viktor Frankl and inscribed to former owner Frau Lisl Kimont on October 10th, 1956. 130 pp. In German. Bound in publisher's original illustrated white wraps. Very Good with a small chip at the crown, light soiling to..... More

New York: Alfred A. Knopf, 1955. First American edition. Signed by Viktor Frankl on the front free endpaper with location and date (1959) written in difficult to read cursive. xxii, 280, [2] pp. Bound in publisher's black cloth with blue and red lettering, yellow topstain. Very Good+ with small stains..... More

Leipzig: Hermann Seemann Nachfolger, 1902. [1902]. First edition, first printing of Theodor Herzl‘s Utopian novel in which he lays out his vision for the social and cultural model of a new Hebrew Nation. Recently bound in three-quarter red morocco over red cloth boards; text is in German. Near Fine with..... More

New York: The Maccabaean Publishing Co., 1904. First American edition, first printing of what is widely considered one of the most important texts of modern Zionism in which Herzl envisioned the founding of a future independent Jewish state during the 20th century. Recently recased with front and rear panels of..... More

Tel Aviv, Palestine: The Dvir Co. Ltd, 1946. First edition. 287 pp. Publisher's paper-covered boards with brown cloth backstrip, lettered in gilt. In Hebrew. Very Good with bumped corners and edge wear, edges foxed. The very first book by Yehiel Dinur, the Holocaust survivor who wrote House of Dolls and..... More

Los Angeles: Nash Publishing, 1972. First edition. Signed by Meir Kahane on the front free endpaper, inscribed to Canadian social activist and former chief executor of the Canadian Jewish Congress, Bernie Farber. [x], 287 pp. Bound in publisher's blue cloth affect with spine lettered in gilt. Fine in a Very..... More

New York: The Viking Press, 1940. First American edition, first printing. [vi], 477 pp. Bound in publisher's pale orange cloth with brown and blue lettering. Near Fine in Very Good+ dust jacket, worn at tips, unclipped ($2.50). A nice copy of an uncommon novel about the rise of the nazis..... More

New York: The Orion Press, 1959. First American edition. [ii], 206 pp. Bound in publisher's blue cloth with gilt spine lettering. Very Good with light wear and edge toning to covers, dust-soiling and scattered foxing to textblock edges. Endpapers heavily toned, soft crease to lower gutter throughout textblock. In a...... More