New York: Simon and Schuster, 1968. First edition, first printing. Signed by Edward Gorey on the title page. Near Fine, lightly toned and lightly edgeworn, in a Very Good dust jacket with price intact, toned heaviest at the spine, and edge worn. More
[no place]: The Fantod Press, 1993. First trade edition, signed by Edward Gorey in anagram as Garrod Weedy. Stain to the spine, else Near Fine. A miniature flip book book measuring 2.75" x 2.25". Toledano 109b. More
New York: Albondocani Press, 1983. First edition, copy #172 of a limited 400 numbered copies [issued alongside 26 lettered copies], signed by Edward Gorey on the limitation page. Hand-sewn wraps. A Fine copy, with publisher's. prospectus laid in. A beautiful copy. More
[no place]: The Fantod Press, 1994. First edition, copy #481 of a limited 526 numbered and lettered copies, signed by Edward Gorey on the colophon. Stapled wraps. Small, faint smudge to front cover, else fine. Signed by Edward Gorey. Toledano 112b. More
[no place]: The Fantod Press, 1990. First separate edition, copy #23 of a limited 500 numbered copies, signed by Edward Gorey in an anagram of his name as "Mrs. Regera Dowdy." Illustrated wraps. A Fine copy with a minute nick at the top of the spine. Toledano A100. More
[no place]: The Fantod Press, 1990. First separate edition, one of a limited 500 copies, numbered and signed by Edward Gorey in anagram as "Mrs. Regera Dowdy." A Fine copy, with very faint wear at the spine ends. First published in Amphigorey Also, this is the first separate edition. Toledano..... More
New York: Dodd, Mead & Company, 1979. First printing of the reissue edition. Signed by Edward Gorey on the title page. Fine in an About Fine jacket with light toning to the spine and negligible wear. More
[No place]: [No publisher], 1989. Twelve postcards in a printed envelope, signed by Gorey in anagram (Dogear Wryde) on the envelope. First trade edition. Envelope is Very Good or better, with light general wear. Postcards are Fine, with a single spot of foxing to one card. Signed by Edward Gorey..... More
New York: Harcourt Brace Jovanovich, Inc, 1988. First edition, first printing. Signed by Edward Gorey on the title page. A fine copy. More
New York: Coward, McCann, 1930. First edition. Inscribed to former owner by Gropper on title page in black ink. Orange cloth with blue lettering. Unpaginated, mostly printed only on rectos. Very Good condition. No jacket. Binding professionally repaired, sturdy and tight. A few creased pages. Spine a bit darkened and..... More
New York: Dodd, Mead and Company, 1955. First edition. Brown cloth stamped in black. Very Good with rolled spine, lightly foxed endpapers, in Good unclipped dust jacket with closed tears in top of front and back panels, wear along bottom edge, slight loss, clear tape repairs along verso. A children's..... More
Philadelphia: David McKay, 1934. First edition. (First publications in book form.) Complete in two volumes. Both in pasteboard wraps with blue and red spines. 80; 120 pp. Good+ condition overall. Sturdy bindings. A few small finger smudges and light stains. Volume 1 about Very Good; front cover chipped, lightly creased..... More
New York: Harper & Brothers, 1892. New and revised edition, restoring text censored in the earlier 1892 first American edition. [v], 455 pp. Original maroon cloth with black and gilt stamping. Very Good+ with bumped corners, very faint mottling to cloth, a little foxing and soiling to edges, front hinge..... More
New York: Charles Scribner's Sons, 1991. Signed by Al Hirschfeld on half title. xxix, [1], 306 pp. Original cloth. Third printing. Very Good with foxing to edges and prelims in a slightly toned Near Fine dust jacket. A retrospective of the famous caricaturist's work. More
New York: Frederick A. Stokes, 1896. First thus. Original green rubbed cloth with gilt decorations, cream stamping to front board, all edges gilt. Near Fine with wear at head, tips exposed; date written on front free endpaper, front hinge a little overopened. Bright gilt, a very clean copy. An illustrated..... More
London: J. M. Dent & Co., 1907. Copy #95 of a limited 560 in the large paper edition, signed by Arthur Rackham. Very Good. Publisher's full vellum stamped in gilt, with ribbon ties lacking. Very Good. Boards bowed. Vellum is foxed and lightly soiled, two pages with full horizontal repaired..... More
London: Day and Son, Limited, [1865]. Second edition. 157 pp. with color plates numbered to 100 as in original edition and as called for in table of contents, although title page erroneously calls for 112. Bound in period half morocco & cloth, spine lettered in gilt, raised bands, marbled endpapers..... More
New York: The Limited Editions Club, 1935. First illustrated edition. 373 pp. Copy number 928 of a limited 1,500, signed by Henri Matisse. Bound in publisher's brown cloth stamped in gilt with, top edge speckled brown. Fine, with just the faintest rubbing to the gilt-covered relief on the front cover..... More
New York: Simon and Schuster, 1960. First edition, first printing. Wraps. PBO. Warmly inscribed in blue pencil on ffep to former owner, late North Carolina journalist and author Roy Wilder, a good friend of Up in the Old Hotel author Joseph Mitchell who specialized in stories about southern culture. Pogo..... More
London & Cambridge: Macmillan & Co., 1863. First edition, first printing. First issue with "L'Envoy" leaf present. Bound in publisher's original dark blue cloth stamped in gilt, brown coated endsheets. Good. Cloth worn at corners and spine ends, with frayed started at the rear joint. Cloth lightly rubbed, with front..... More
New York: Random House, 1930. First edition, signed limited issue. A stunning presentation copy, inscribed by Rockwell Kent to William Kittredge, the director of design and typography at The Lakeside Press. Kittredge commissioned Kent to design and illustrate the iconic three-volume aluminum slip-cased 1930 Lakeside Press edition of Moby Dick..... More
Stuttgart: Kosmos, 1950. First edition. 80 pp. Original illustrated wraps. Text in German. Slightly toned spine and a little foxing to edges and back wrap, else Fine and unread with publisher's ad laid in. A neat illustrated paperback. A work that anticipated modern cryptozoology, preceding Bernard Heuvelmans' foundational book..... More
London: Longmans, Green & Company, 1889-1910. First edition. Andrew Lang's Color Fairy Books, complete in twelve volumes, all first impressions of the first edition: Blue (1889), Red (1890), Green (1892), Yellow (1894), Pink (1897), Grey (1900), Violet (1901), Crimson (1903), Brown (1904), Orange (1906), Olive (1907), Lilac (1910). The volumes..... More
Chicago: Printed for the Members of the Limited Editions Club at the Lakeside Press, 1937. Presentation copy of the limited edition signed by artist Grant Wood to the man who inspired this very edition. xviii, 367, [3] pp. Gray linen with orangish yellow and blue stamping, housed in original slipcase..... More
