New York: Alfred A. Knopf, 1961. First edition stated, first printing. Signed by Julia Child and and her husband Paul on the front free end paper, inscribed to a former owner. Very Good. Decorated cloth is faded, primarily at the spine and rear cover. Small ding to spine. Light staining..... More
New York: Alfred A. Knopf, 1961. First edition stated, first printing. Signed by Julia Child and her husband Paul on the half-title page and inscribed to a former owner. Near Fine with light soiling, former owner's inkless emboss to front free endpaper. In a Very Good unclipped dust jacket with..... More
New York: Alfred A. Knopf, 1974. Twenty-fifth printing. Signed by Julia Child on the half-title page. Bound in publisher's white fleur-de-lis patterned cloth; lacking the dust jacket. Good. Cloth stained, spine faced, binding sunken and pulled. Pages are a bit wavy. A modern classic of cookery, signed by its most..... More
New York: Alfred A. Knopf, 1961. Signed. First edition, second printing with "Published October 16, 1961" on copyright page. Signed dated 8/16/93 by Julia Child on the title page. Very Good, with toning and some spotting to cloth and wear at spine ends, spine rolled with a small stray ink..... More
London: S. O. Beeton, 1861. First edition, first printing. First issue with "Bouverie St" on the illustrated title page; with the farmyard frontispiece and tissue guard. Complete with 12 color plates. Bound in contemporary half-leather over marbled paper, with short split at top of front joint, glue-strengthened from the inner..... More
New York: Doubleday & Company / Crime Club, 1952. 189 pp. Original blue cloth with white lettering. First American edition. About Very Good with thoroughly toned pages, foxed edges, small stain to edge, slight crease to spine, in a Very Good+ dust jacket with a small chip along top of..... More
New York: Harper and Brothers, 1935. First edition, first impression. Bound in publisher's orange cloth stamped in black. Very Good or better with light lean to spine, tiny teat to cloth at head, dust-soiling to top textblock edge and several small spots to bottom edge, pages toned. In a Very..... More
New York: L.B. Fischer, 1945. First edition. 253 pp. Red cloth with black lettering; shorter size variant. Near Fine with a few tiny stains to front board, contents unmarked and fairly bright, in Very Good dust jacket designed by the author, chipped around head and tail, price-clipped, spine panel toned..... More
New York: L.B. Fischer, 1945. Signed by the author on the front free endpaper, inscribed to former owner"To Dr. Garski whose family / lived together with me in the Warsaw ghetto / [signed] Mary Berg / New York Febr. 9-1945." Special Edition Sponsored for the National Organization of Polish Jews..... More
Portland, OR: L.M. Berry, 1977. First edition. 96 pp. Stapled white wraps, purple contents. Near Fine with light toning and wear. A rare volume of Portland, Oregon Black Power poetry, only two institutional copies located in a recent OCLC search. The poets use pen names throughout the work, writing in..... More
New York: Farrar, Straus and Giroux, 1969. First edition, first printing. Near Fine, with bump to head, faint rubbing at tips and previous owner name on front free endpaper, in a Very Good unclipped dust jacket with fading to the spine and moderate toning to the edges. A very lovely..... More
London: Putnam, 1937. 416 pp. First edition, first printing. Publisher's maroon cloth with titles in gilt on spine. Very Good with foxing to pages, light lean to spine, light rubbing to cloth at extremities. In a Good+ first issue dust jacket with publisher's price intact, vertical crease to front panel..... More
![Den Afrikanske Farm [Out of Africa]. Karen Blixen, Pseud. Isak Dinesen](/pictures/thumb/140939976.jpg?v=1594349259)
Copenhagen: Gyldendalske Boghandel, 1952. Reprint; text in Danish. Signed by Karen Blixen and inscribed to a former owner at Blixen's long-time residence, Rungstedlund, which currently operates at the Karen Blixen Museum. Bound in publisher's green printed wraps illustrated by Peter Holm. Near Fine with light wear to wraps at extremities..... More
Jerome, Arizona: M. Kimberly Press, 1995. First edition and only edition. A truly unique and hand-made artist's book, signed by Mare Blocker. Four panels bound in accordion-style, with original artwork on six sides created with ink and gouache, with four contiguous sides showing a lively bar scene inhabited by anthropomorphic..... More
New York: Simon and Schuster, 1931. First edition. 135pp. Yellow cloth with black stamping. Very Good+. No dust jacket. Slight darkening to spine, tips a little worn, front hinge starting, light pencil name written on front free endpaper. The photographer's first book, a travelogue of a trip to the Soviet..... More
New York: Simon and Schuster, 1931. First edition, first printing. Signed by Margaret Bourke-White on the front free endpaper. Bound in publisher's yellow cloth with black stamping. Very Good. Toning to spine. Front inner hinge exposed and pages toned. The photographer's first book, a travelogue of a trip to the..... More
New York: Duell, Sloan, & Pearce, 1940. Second edition. Publisher's grey cloth stamped in red. Very Good+ with foxing to cloth and textblock top edge, light fraying at bottom of spine. Previous owner bookplate to front pastedown, light tape ghosts to endsheets, light blue stain to recto and verso of..... More
London: Faber & Faber, 1932. First British edition. 320pp. Red cloth with navy lettering. Near Fine in Good only dust jacket, unclipped, with chipping to head and tail, faint crease to spine, two pieces of tape on verso, rubbed along edges, foxed, and a little soiled. Cloth on back board..... More
New York City: Pudney and Russell, 1860. First edition. 320 p. Original brown cloth with gilt lettering. Very Good condition. Clean, bright pages. Owner's namestamp on ffep and half-title. Spots of mottlinbg to cloth at front. Fraying to cloth at extremities, heaviest at head. A few lightly creased pages and..... More
New York: Siamese Banana Press, 1972. First edition. Side-stapled mimeographed sheets, printed on rectos only. Near Fine with light toning, foxing and wear, rusting to staples. A lovely copy. More
New York: Dodd, Mead and Company, 1946. First edition. [vi], 184 pp. Bound in publisher's crimson cloth lettered in white. Near Fine with a few spots of discoloration to front board, a little brightening along edges of spine, foxing to top edge, offsetting to endpapers. In a Near Fine dust..... More
New York: Harper & Brothers, 1848. First American Edition, first printing. Bound in publisher's original brown cloth decorated in blind with spine decorated in gilt. Very Good with cloth lightly soiled and worn at corners and spine ends. Inexpert bookplate removal to front paste down. Small stain to top corner..... More
New York: Harper & Brothers, 1857. First American Edition. Bound in three-quarter maroon leather over marbled boards, all edges marbled. Very Good. Binding lightly rubbed, leather darkened. Pages toned and lightly foxed. The first novel written by Charlotte Bronte, though it remained unpublished until after her death. More
New York: Harper & Brothers, 1857. First American Edition. Bound in publisher's ribbed brown cloth decorated in blind with titles in gilt on the spine. Very Good. Lean to spine. Cloth rubbed, worn through at extremities, and with a large but light ring-stain on front cover. Previous owner name to..... More
New York: Harper & Brothers, 1858. Early American printing [the first American edition was published in 1853]. In original publisher's brown ribbed cloth decorated in blind with titles in gilt on spine. Very Good with heavy foxing to pages. Cloth moderately rubbed, rubbed through at at corners, spine ends, and..... More