[No place]: [No publisher], ? Two copies of single-sheet typescript on thin paper, reproduced in blue ink. 2 pp. each. Number "1" and "Andy" written in blue pencil on upper margin of one sheet, "2" and the same name written on upper margin of verso of other sheet. Rust from..... More
London: The Trigram Press, 1967. Signed by Piero Heliczer on the verso of the front flyleaf and inscribed, "ah & have we sucked the chewing gum nipples of reality love Piero Heliczer." First edition. One of only five hundred copies, unnumbered. 36, [3] pp. Original purple and blue cloth lettered..... More
Paris: Galerie Ileana Sonnabend, 1967. First edition. Bound in stapled white card wrappers lettered in black. Near Fine with light foxing, faint but pervasive soling and modest rubbing to covers. Indentation mark on front cover from staple is slightly soiled. Andy Warhol's exhibition catalogue in the form of a faux..... More
New York: Harcourt Brace Jovanovich, 1975. First edition, first printing. Signed by Andy Warhol twice on half title with drawing of soup can and inscription to former owner as well as his initials in thick black permanent marker sideways. [xiv], 241 pp. Very Near Fine with a miniscule stain to..... More
New York: Harcourt Brace Jovanovich, 1975. First edition, first printing. Signed by Andy Warhol on half title with drawing of soup can and inscribed to former owner, with his initials in thick black permanent marker as well. [xiv], 241 pp. Bound in publisher's original yellow paper boards over red spine..... More
New York: Jerome Rothenberg & David Antin, 1966. First edition. The third issue of the literary and arts magazine. [80] pp. Bound in publisher's decorative wraps designed by Andy Warhol consisting of a series of perforated "Bomb Hanoi" stickers, intact. A list of contributors printed on the rear cover includes..... More
New York: Random House, 1979. First edition, first printing, trade issue. Signed by Andy Warhol on the half title in sharpie. 143pp. Bound in publisher's black cloth-backed gold boards, spine lettered in gilt. Near Fine with remainder mark to bottom edge, slight bump to bottom corners, in a Very Good..... More