New York: Duell, Sloan and Pearce, 1940. First trade edition, first printing. Signed by the poet on the front free endpaper. Bound in publisher's original pale orange cloth stamped in maroon, lacking the dust jacket. Very Good with fading to cloth at spine,wear at spine ends and corners, pages toned..... More

New York: Duell, Sloan and Pearce, 1940. First edition, first printing. Bound in publisher's original pale orange cloth stamped in maroon. Near Fine with light lean to binding, light foxing to cloth at rear, offsetting to endsheets and pages toned. In a Near Fine unclipped dust jacket with toning to..... More

New York: Harcourt, Brace and Company, 1958. First trade edition, first printing. Signed by E. E. Cummings on the front free endpaper and inscribed to the recipient with date November 10 '58. Unpaginated. Bound in publisher's printed paper-covered boards over black spine cloth lettered in brown. Near Fine with light..... More

New York: Covici, Friede, 1931. First edition, limited to 391 copies and signed on the title page by E. E. Cummings in watercolor. Bound in original burlap over boards with upper board stamped in silver. Near Fine with slight toning and soiling to cloth, short split started at the bottom..... More

New York: Covici Friede, 1933. First edition, signed limited issue. Copy 131 of a limited 1381 numbered copies, signed by the E. E. Cummings on the limitation page. Bound in publisher's canary yellow cloth stamped vividly in black. Near Fine with light wear to corners and spine ends, light creasing..... More

New York: Boni and Liveright, 1922. First edition, first printing first issue with expletive 'shit' not censored at the bottom of page 219. Very Good, with cloth lightly edge worn, darkened and lightly scuffed at spine. Previous owner details to front paste down and bookseller ticket to rear paste down;..... More

Cambridge, MA: Harvard University Press, 1953. First edition, limited issue. Copy number 113 of a limited 350 signed by E.E. Cummings. Bound in publisher's original black cloth over ivory spine cloth stamped in black. Near Fine with toning to pages and slightly so to spine cloth. In a Near Fine..... More

New York: The Golden Eagle Press, 1935. First edition, deluxe issue. Number 18 of a limited 90 copies of the De Luxe edition, signed by E. E. Cummings. Bound in publisher's royal blue coarse cloth with titles stamped in a vivid red, all edges stained red. Near Fine with trivial..... More

New York: Henry Holt and Company, 1944. First edition, first printing. [x], LIV pp. Bound in publisher's gray cloth lettered in blue on the spine. Near Fine with light rubbing at head and tail, light toning to extremities and contents, and heavy offsetting to front endsheet. In a Very Good..... More

Mount Vernon: The Golden Eagle Press, 1937. The Archetype edition. Copy #317 of a limited 481, unsigned. Bound in publisher's green paper-covered boards over vellum spine lettered in dark green. Very Good, with scuffing to front cover, light dust-soiling, rubbing at tips, and light foxing to vellum. Scarce. More

New York: Thomas Seltzer, 1923. First edition, first printing. Bound in publisher's original brown paper boards over buckram cloth with paper title label to spine printed in black. Near Fine with toning to spine and edges, light edge wear to the spine label, several small bits of chipping at edges..... More

New York: Laurence J. Gomme, 1917. First edition, first printing. Presentation copy signed by S. Foster Damon on the front free endpaper and inscribed: "To Uncle Sharp. These pin-feathers from S. Foster Damon. December 25, 1917." Also featuring the work of E. Estlin [E. E.] Cummings, J. R. Dos Passos..... More