New York: McClure, Phillips & Co., 1903. First edition, first printing. Near Fine. Slight dulled, light rubbing at tips. Front and rear inner hinge exposed. Pages toned, with the early pages creased diagonally. A lovely copy of Gilman's scathing attack on the domesticity of women in the early 20th century..... More

New York: McClure, Phillips & Co., 1903. First edition, first printing. Good, with rubbing to cloth at extremities, light fraying at corners and heavy rubbing to spine ends. Discoloration to top edge of rear cover. Front inner hinge slightly exposed, previous owner name stamp to front free end paper. Gilman's..... More

New York: Charlton Company, 1910. First edition, first printing of the author's first novel and an early feminist work. Bound in publisher's original maroon cloth lettered in gilt. Very Good+ with slight fading to the spine, light wear to cloth at corners and spine ends, rubbing to joints, light soiling..... More

Boston: Small, Maynard & Company, 1898. First edition, first printing. Bound in publisher's original brick-red cloth with printed title label to spine. Near Fine with light rubbing to cloth, light sunning to spine; former owner name in pencil to front free endpaper and slight foxing to endsheets. A fantastic copy..... More

Boston: Small, Maynard & Company, 1901. Second edition in book form. Signed by Charlotte Perkins Stetson [Gilman] with a fantastic inscription on the front free endpaper, "Here is a little nightmare--nothing like as well [?] as your immortal kittens! With admiration and esteem for O., P, + H. [signed] Charlotte..... More

Boston: New England Magazine Corporation, 1892. Bound volume containing six issues of New England Magazine, featuring the first appearance of Charlotte Perkins Gilman's iconic feminist short story "The Yellow Wall Paper" in the January 1892 issue. Precedes the first trade edition by seven years. ix-xiv, 555-824, 548 pp., text printed..... More