New York: Simon and Schuster, 1939. First edition, first printing with dated title page. Bound in publisher's decorated paper covered boards. Very Good or better, with covers showing toning, soiling and rubbing at extremities; small stain to front cover. Pages toned, and lightly thumbed. In a Near Fine dust jacket..... More
New York: The Viking Press, 1956. Signed limited edition, precedes the first trade edition. Bound in publisher's green cloth stamped in black, green and red, lacking the slipcase. Near Fine with light rubbing and light soiling to cloth, pages thumbed and with light occasional soiling. One of 985 copies signed..... More
New York: The Viking Press, 1943. First edition, limited issue; Copy number 250 of 400 numbered copies [of a total edition of 500] signed by Ludwig Bemelmans. Very Good with light slope and toning to spine, slight rubbing to cloth at corners. In a Very Good slip case which is..... More
Town and Country Magazine. Oblong, stapled wraps. No publishing information given, but printed circa 1950 as an advertising promotion for Town and Country Magazine. Illustrations by Bemelmans are printed on one side of the page, and tell a story without any text. In Very Good condition, with light toning and..... More
New York: Funk & Wagnalls / Sabra Books, 1971. First edition, copy #830 of 2000 signed by Ben-Gurion underneath his frontis photo. xxii, 862pp. Blue leather decorated in gilt with gilt topstain, housed in plain blue cloth slipcase. A Near Fine copy with contemporary gift inscription on verso of half..... More
New York: Funk & Wagnalls / Sabra Books, 1971. First edition, copy #249 of 2000 signed by Ben-Gurion underneath his frontis photo. Bound in publisher's padded blue leather decorated in gilt with gilt topstain, housed in plain blue cloth slipcase. A Near Fine copy with faint rubbing at tips, slight..... More
London: New Left Books (NLB), 1973. First British edition. (Correct first in the English language as well.) 192pp. Reddish green cloth with silver lettering. Near Fine in Near Fine unclipped dust jacket with a bit of rubbing. Small ding to top of front board. A very neat, clean copy of..... More
[no place]: E. R. Thomam & C. C. Benson, 1946. 83 pp. Staining at top corner, faint staining to page edges. Light wear, rubbing and soiling to wraps. reading crease to spine. Stamp from "The Mix Shop" to verso of title page. A nice copy of this rather scarce cocktail..... More
New York: D. Van Nostrand, 1861. First edition. Bound in red cloth decorated in blind over leather spine stamped in gilt and blind; all edges marbled. Previous owner name stamped in gilt on front cover, in black on text block edge, and written on title page, with another owner's bookplate..... More
New York: L.B. Fischer, 1945. First edition. 253 pp. Red cloth with black lettering. Near Fine with a few tiny stains to front board, contents unmarked and fairly bright, in Very Good dust jacket designed by the author, chipped around head and tail, price-clipped, spine panel toned and stained. One..... More
Cleveland: 7 Flowers Press, 1965. First edition. Limited to 178 copies. Signed by the silk screen artist, Grady Jones, on the rear cover. Wraps with card covers. In Near Fine condition with rubbing to exterior. Clean and bright text with tight binding. More
New York: The Viking Press, 1973. First American edition, first printing. Publisher's grey patterned paper over tan cloth spine. Near Fine with light rubbing to titles on spine, slight bruising to spine ends. In a Very Good dust jacket, lightly rubbed and lightly edge worn, with publisher's price of $6.95..... More
New York: The Dial Press, 1964. First edition. 440 p. Good in Very Good dust jacket. Blank white second fep mostly torn off. Bookplate on paste down with name written in pen. Slight lean to spine. Jacket price-clipped, light rubbing and creasing, a bit of wear at head and foot..... More
New York: John Wiley and Sons, 1949. First edition. Flat-signed by Berkeley on front free endpaper in black ink. xvi, 270pp. Original gray cloth with blue lettering. Offsetting to ffep, else Fine in About Very Good price-clipped dust jacket with edge-wear, creased tear to bottom of back panel, tiny chip..... More
Philadelphia: The Jewish Publication Society, 1948. First edition. Warmly inscribed by the author to former owners on front free endpaper in the year of publication. 384 pp. Dark navy cloth with white lettering. Near Fine with sunned head in Good dust jacket, chipped in a few places (largest at head..... More
New York: Simon and Schuster, 1953. First American edition. [viii], 86 pp. Gray cloth blocked in maroon, lettered in gilt, edges stained orange. Fine in Very Good unclipped dust jacket with some uneven toning to front and spine panels, rubbing, lightly worn edges, tiny closed tear to top of front..... More
Cambridge, MA: Edward Bernays, 1983. ALS. 1 pp. 8 1/2 x 11. A one-sided, handwritten letter, written by Edward L. Bernays on his letterhead and signed at the bottom. Dated May 5, 1983, folded in thirds. Light toning and light general wear. More
New York: Horace Liveright Inc., 1928. 159 p. Black cloth with gilt lettering. First edition, first printing. Inscribed "To David Schulte, a great propagandist from whom I am learning much. Edward L. Bernays" on the front free end paper in black ink. Schulte was the owner of a cigar store..... More
New York: Alfred A. Knopf, 1979. First American edition. 271 pp. Fine in Near Fine dust jacket with a strip of slight toning along top edge, price intact ($10.00). The Austrian master of claustrophobic, monomaniacal narratives' third novel published in the USA, translated by Sophie Wilkins. More
London: Quartet Books, 1988. First English-language edition. 148 pp. Blue cloth lettered in gilt. Fine, though pages toned with age, in Fine unclipped dust jacket. An excellent copy. More
New York: Alfred A. Knopf, 1987. First American Edition. 181, (1), (1) pp. Original cloth and paper-covered boards. Fine in Fine unclipped dust jacket. An excellent copy. More
New York: Rochlitz Studio, 1917. Black and white photograph measuring 23.5x19 cm (9 1/2 x 7 1/4"); with purple matting and gilt-ruled wooden frame: 54x47 cm (22 1/2 x 18"). Inscribed by Bernhardt in French in the margin beneath the photograph and signed. Certificate of authenticity from "The Scriptorium" on..... More
(Los Angeles?): Unknown. 4 1/2" x 4 1/4" colored pictorial wrappers shaped and colored like a clam, staplebound. [12] pp. An illustrated promotional pamphlet advertising San Francisco (and later Los Angeles) restaurant Bernstein's world-famous Coo-Coo Clams from Coo-Coo Cove; they were popular at the Los Angeles location. Perhaps published in..... More
