New York: Simon and Schuster, 1983. First edition, first printing. Signed by Joan Didion on the front free endpaper. Bound in publisher's original beige paper-covered boards over black spine cloth lettered in gilt. Near Fine with light foxing to covers, top edge, preliminary and terminal pages. In a Near Fine..... More
New York: Farrar, Straus & Giroux, 1968. Signed by Joan Didion on the front free endpaper, inscribed "For Nancy with thanks for enabling me to come to Philadelphia [signed] Joan Didion Nov. 23 '73". First edition, third printing. xviii, 238 pp. Bound in publisher's black cloth, spine lettered in gilt..... More
New York: Farrar, Straus & Giroux, 1968. First edition, first printing stated. Original cloth and paper-covered boards. Fine with an About Fine unclipped dust jacket with a tiny red spot to the rear panel appearing to have occurred during production. A fantastic copy of a book not normally seen in..... More
New York: A Touchstone Book Published by Simon and Schuster, 1979. Reprint. Signed by Joan Didion and inscribed to a former owner on the publisher's imprint page. Bound in publisher's original pink and white wraps printed in yellow and black. Very Good with light edge wear and light spine creases..... More
New York: Simon and Schuster, 1979. First edition, first printing. Signed by Joan Didion on the title page, inscribed to former owner and dated March 10, 1987, Toronto. 223 pp. Bound in publisher's red boards with dark navy cloth backstrip, spine lettered in white. Near Fine with light foxing to..... More
New York: Alfred A. Knopf, 2005. First edition, first printing. Signed by Joan Didion on the title page. Bound in publisher's original paper-covered boards over green spine cloth lettered in gilt. Small, light stain to front cover, else Fine in a Near Fine dust jacket with slight shelf wear and..... More
New York: Delacorte Press, 1975. First edition. Signed by author on half title in black ink. 283 p. Near Fine in Very Good+ dust jacket. Tiny tear to paste down, slight sunning at cloth along top edge, else fine. Slight fading to pink lettering on spine panel, two small nicks..... More
New York: Alfred A. Knopf, 1923. First American edition. (Sheets printed in the UK, so presumably following the Chatto & Windus edition that same year.) [viii], 286 pp. with fold-out facsimile letter plate at rear. Original blue cloth with cream title stamping. Cloth head and upper tips slightly chewed, else..... More
New Brunswick: Transaction Publishers, 1993. First edition. Signed by Peter F. Drucker on front free endpaper with a lengthy, warm inscription to former owners. viii, 466 pp. Bound in publisher's green cloth with white lettering. Fine in Near Fine dust jacket, slight sunning to spine panel, light shelf wear. Essays..... More
Paris: Editions La Terrain Vague, 1958. Inscribed in French by Marcel Duchamp on page following front transparency, then signed and dated. Translated the inscription reads, "Dear [Alma?] I appreciate the catalogues you sent me, etc. and here's another book, with no pretense. Salutations, Marcel Duchamp New York City, 1960." 231..... More
Boston: James Munroe and Company, 1841. First edition, first printing. Finely bound in early 20th-century full leather, spine heavily gilt decorated and with raised bands, wide turn-ins with dentelle. Near Fine with rubbing to joints, previous owner bookplate to front pastedown and several marginal marks. More
Boston: James Munroe, 1841. First edition, first printing. Bound in publisher's original dark brown ribbed cloth with elaborate blindstamped front and back boards, spine lettered in gilt, cream endpapers. Very Good with light staining to cloth primarily at the foot of the spine and top edge of the rear board..... More
New York: Duell, Sloan, & Pearce, 1943. First edition in first issue dust jacket with Hurrell photo of author in reclining pose on back panel. 295 p. Green cloth with silver lettering. Near Fine with light rubbing at edges and spine ends, pages toned. In a Very Good dust jacket..... More
New York: Herder and Herder, 1972. Signed by Paulo Freire on the title page; provenance written on interior of front cover by former owner, an October 1981 after a lecture at the University of Michigan; owner name stamp to top and bottom of text block, interior of front cover, and..... More
New York: W. W. Norton and Company, 1963. First edition, first printing. 410 pp. Bound in publisher's boards over black spine lettered in gilt. Very Good with bookplate on paste down, former owner's name written on front free endpaper, clear dampstain to pages 9 & 10. In Very Good dust..... More
New York: Charles Scribner's Sons, 1916. First edition. Gray paper binding variant with gilt lettering and blind stamp on rear board, brownish/grayish topstain. 308 p. Near Fine in Very Good jacket. Light foxing to fore edge, rubbing to top edge. Jacket spine panel darkened, chipped at head, worn at tips..... More
London: Sheed & Ward, 1931. First edition. One of 500 unnumbered copies signed by Eric Gill & Rene Hague on colophon. American typographer and book designer Jackson Burke's copy with his bookplate on paste down. 121 pp. Bound in publisher's crimson cloth, spine lettered in gilt. Near Fine in uncommon..... More
New York: Mother Earth Publishing Association, 1911. Second revised edition stated on title page and third edition stated on front cover. Signed by Emma Goldman on the front free endpaper. Good, with toning and soiling to cloth. Short split to top of front spine joint and area of damaged cloth..... More
London: Cassell & Co., 1951. First British edition. xii, 276 pp. Bound in crimson cloth with gilt lettering. Near Fine with former owner's name on paste down, light wear, in Near Fine dust jacket, a little rubbed along edges, spine slightly toned. A collection of plays, essays, and short stories..... More
London: Heatwave, 1966. First edition. The second and final issue of a British mimeographed periodical that combined radical libertarian-communist /Situationist politics with surrealism and populist popular culture analysis. At the time Leftist intellectuals around the globe were expected to scorn popular culture (especially things like cartoons and rock n' roll)..... More
New York: E. P. Dutton & Company, 1924. First American edition. v, 93pp. Original blue cloth with printed paper labels. Near Fine in Very Good original dust jacket. A few spots of toning to cloth, dust-soiling to edges, a few easily-erasable pencil marks in margins. Jacket chipped along head/back panel..... More
New York City: Cosmo-Advocate Publishing Co., [1917]. First edition. Signed by Hubert Harrison on the title page, inscribed to the former owner "To Rev. M. Hickens With the author's respects 29/4/20." 64 pp. Bound in publisher's side-stapled yellow wraps. Good+ with soiling to wraps; closed tear, corner chip and wear..... More
London: Routledge & Kegan Paul, 1982. Signed by Friedrich Hayek on the front free endpaper. viii, 314 pp. Bound in publisher's brown cloth with gilt spine lettering. Second printing of the first edition. Near Fine with faint spoiling to edges, in an unevenly sunned dust jacket (publisher's brown color giving..... More
New York: Charles Scribner's Sons, 1932. First edition, first printing with an "A" and publisher's seal on copyright page in dust jacket with publisher's price of $3.50 intact. Very Good with light mottling to cloth, pages toned and text block slightly sunken. In a Very Good dust jacket, which is..... More
Cambridge, MA: Basic Books, 2001. First edition, first printing. Signed by Christopher Hitchens on the title page. xiv, 141 pp. Bound in publisher's marbled boards and gray cloth backstrip with silver spine lettering. Very Good+ with slight foxing to pages, single creased corner, in Very Good+ dust jacket with light..... More