Mount Vernon: The Golden Eagle Press, 1937. The Archetype edition. Copy #317 of a limited 481, unsigned. Bound in publisher's green paper-covered boards over vellum spine lettered in dark green. Very Good, with scuffing to front cover, light dust-soiling, rubbing at tips, and light foxing to vellum. Scarce. More
Mount Vernon: The Golden Eagle Press, 1937. The Archetype edition. Copy #192 of a limited 481, unsigned. Bound in publisher's green paper-covered boards over vellum spine lettered in dark green. Near Fine with light lean to binding, toning to spine. Pages foxed throughout, though heaviest at the prelims and terminals..... More
New York: Thomas Seltzer, 1923. First edition, first printing. Bound in publisher's original brown paper boards over buckram cloth with paper title label to spine printed in black. Near Fine with toning to spine and edges, light edge wear to the spine label, several small bits of chipping at edges..... More
New York: Henry Holt and Company, 1944. First edition, first printing. Near Fine, with toning to cloth at edges, toning to pages, previous owner bookplate to front paste down. In a Good edge-tattered and rubbed dust jacket, with publisher's price of $2.00 intact. More
![Item #140941011 95 Poems [Ninety Five]. E. E. Cummings](/pictures/thumb/140941011.jpg?v=1612548917)
New York: Harcourt, Brace and Company, 1958. First trade edition, first printing. Bound in publisher's decorated paper covered boards over black cloth spine lettered in brown; lacking the dust jacket. Uneven sunning to rear cover, faint scuffing to covers, erased pencil markings to front free endpaper, toning and occasional thumbing..... More
[Edward Estlin Cummings, 1894-1962]: Oil on wood measuring 12.5" x 15.75, in a vintage wooden frame with a brass title plaque. Not signed, a characteristic common in most of Cummings' artwork. Light toning and dust-soiling to painting, several faint, small abrasions to surface. Wood frame is moderately worn. Taped notation..... More
London: Nancy Cunard at Wishart & Co., 1934. First edition, first printing. viii, 856 pp. Bound in publisher's black cloth stamped in red, with black topstain, issued without a dust jacket. Very Good+ with rubbing to cloth along edges, worn at head and tail, small bookplate to front free endpaper..... More
Barrytown, NY: Station Hill Press, 1981. First edition review copy signed by Lydia Davis on the title page. Unpaginated. Wraps. Fine. Review slip laid in. An uncommon early book by the American writer. More
New York: Mother Earth Publishing Association, 1914. First edition. (First printing with title page dated 1914 and "Set up and electrotyped. Published May, 1914" on copyright page.) 480 pp. with frontispiece of the author. Bound in publisher's brown cloth with black spine lettering. Very Good with bumped corners, some bubbling..... More
New York: Communications Company, 1968. First edition. Published simultaneously by the Artists Workshop Press in Ann Arbor, with no known priority. 10pp including covers. Side-staples wrappers. Very Good. Tape ghost to rear cover, some light edge wear, thumbing and toning. Two holograph corrections to #1, and penned beneath letter #12..... More
Boston: Roberts Brothers, 1892. Early reprint. Bound in publisher's ivory cloth over green cloth backstrip tamped in gilt. Very Good with soiling and foxing to cloth, lacking front free endpaper. More
Boston: Roberts Brothers, 1892. Early reprint with 1892 on title page (the first was 1891). Bound in publisher's grey cloth over bevel-edged boards stamped in gilt. Very Good with soiling, toning, and rubbing, glue repair evident at front and rear inner hinge; hinge after ffep exposed. Pages toned. More
Boston: Roberts Brothers, 1892. Early reprint. Bound in publisher's ivory cloth over green cloth backstrip tamped in gilt. Near Fine. Light soiling and light toning to cloth. Charcoal pencil marking to front free end paper. Pages toned. A bright and sharp example, in a much nicer state than most copies..... More
Boston: Roberts Brothers, 1896. First edition, first printing. Bound in publisher's green cloth cloth over bevel-edged boards, stamped in gilt with Indian pipe stem motif, top edge gilt. Very Good with light rubbing to extremities slightly heavier at spine ends. Pages toned, contemporary owner name to front free endsheet and..... More
Boston: Roberts Brothers, 1893. The first and second series, one of five hundred copies issued by the publisher with the two volumes bound together as one with separate pagination. The first series is marked Thirteenth Edition, and the second series is marked Seventh Edition. Bound in publisher's original ivory cloth..... More
Boston: Little, Brown & Company, 1914. First edition. One of only 595 copies printed and bound at the University Press, Cambridge, MA. Original cream-colored paper over boards and white cloth lettered in black; lacking the unprinted dust jacket. Very Good with toning and rubbing to covers, rubbing through at edges..... More
Boston: Little, Brown & Company, 1914. First edition, first printing. One of only 595 copies printed and bound at the University Press, Cambridge, MA. Original cream-colored paper over boards and white cloth lettered in black; lacking the unprinted dust jacket. Very Good+ with moderate toning and soiling to boards, rubbing..... More
London: James R. Osgood, McIvaine & Co., 1891. First British edition, first issue binding. 158 pp. Original pale yellow cloth with gilt lettering, gilt topstain. A Very Good+ copy, slightly toned spine with two tiny nicks along edge, head and tail lightly worn. The reclusive American poet's only book to..... More
London: Linden Press, 1957. First edition. 44 pp. Bound in publisher's blue cloth with gilt lettering. Fine with a hint of foxing to edges in a Near Fine unclipped dust jacket, lightly toned and soiled. The scarce second book by British physician Michael Dillon, the first trans man to undergo..... More
Los Angeles: Little Caesar Press, 1979. First edition. Signed by Tim Dlugos on the title page. Very Good or better, with light rubbing and faint wear to wraps. Scarce signed. More
Pittsburgh: Carnegie-Mellon University Press, 1986. First edition. Signed by poet on half title, inscribed to former owner and dated June 3, 1989. 80 pp. Navy cloth with gilt lettering. Fine in second state dust jacket with Pulitzer mention, light rubbing, else Fine. Winner of the 1987 Pulitzer Prize for Poetry;..... More
New York: Boni & Liveright, 1926. Signed Limited Edition. Number 534 of 550 copies, lacking slipcase. About Fine. Faint rubbing to bottom edge of boards, light rubbing to spine and to a few small spots of wear to cloth. Previous owner book plate to front paste down. A very sharp..... More
San Francisco: The White Rabbit Press, 1958. First edition, first printing. Hand-sewn white printed wrappers. Very Good with wraps showing light toning, light soiling and light wear. The author's first book, published in an edition of 200 copies. Johnson A7. More
New York: Random House, 1974. First edition, wrappered issue. xxiii, [i], 135 pp. Publisher's wraps. Near Fine, lightly rubbed along edges, shelf worn. The best-known collection of poetry by the late African American poet and short story writer, posthumously published. He was killed in 1968 on a subway platform..... More
New York: Thunder's Mouth Press, 1989. First edition. [xxviii], 155 pp. Publisher's brown cloth and black paper-covered boards, spine lettered in gilt. Fine in Fine dust jacket. An excellent copy. Poetry from the ouevre of the African American writer who was killed in 1968 on a subway platform by a...... More