New York: Harper & Row, 1986. First edition. Signed by Ginsberg on title page, dated 8/23/94. xi, [ii], 89 pp. Original red cloth, spine lettered in gilt. Very Good+ with boards slightly bowed, a little foxing and wear to edges, in Near Fine unclipped dust jacket, slightly toned. More
San Francisco: Grabhorn-Hoyem, 1971. One of 275 copies signed by Allen Ginsberg on the title page. Also signed by Arion Press founder Andrew Hoyem on colophon at rear. [iv], 43, [3] pp. Original decorative tan linen, with wrap-around artwork in nine colors, edges untrimmed. First edition thus, revised with a...... More
San Francisco: City Lights Pocket Bookshop, 1956. First edition, first issue with Lucien Carr listed on the dedication page and a period after Harlem on the rear cover. Publisher's black wraps printed in blue with white wraparound printed in black. Very Good. Light soiling and light wear to wraps, with..... More
San Francisco: City Lights Pocket Bookshop, 1956. First edition, first issue with Lucien Carr listed on the dedication page and a period after Harlem on the rear cover. Publisher's black wraps printed in blue with white wraparound printed in black. Very Good. toning and light soiling to wraps, bottom corner..... More
San Francisco: City Lights Pocket Bookshop, 1956. First edition, first issue with Lucien Carr listed on the dedication page and a period after Harlem on the rear cover. Publisher's black wraps printed in blue with white wraparound printed in black. Near Fine with toning, light lifting to bottom corner of..... More
San Francisco: City Lights Pocket Bookshop, 1956. First edition, first printing, first issue with Lucien Carr listed on the dedication page and a period after Harlem on the rear cover. Publisher's black wraps printed in blue with white wraparound printed in black. Very Good. Wraps toned and slightly wavy, former..... More
Middlesex, England: Anvil Press Poetry, 1969. First British edition, one of a limited 50 numbered copies signed by Louise Gluck. Bound in publisher's original maroon cloth with spine lettered in gilt, printed on rose-colored Glastonbury Antique laid paper. Near Fine with lean to binding, light rubbing to cloth at edges..... More
[New York]: Antaeus Editions, 1976. First edition. Signed by Louise Gluck at the rear colophone, number 29 of 50 thus. Bound in printed french wrappers. Fine. More
Market Drayton: The Tern Press, 1998. First edition. #25 of 95 copies. Signed by the illustrators on the colophon. Near Fine condition. Light wear to cloth, very slight curving to boards. A modern translation of a poem from the 4th Century A.D about the mythological phoenix. More
(No Place): The First Zen Institute of America in Japan, 1961. First edition. (One of only 500 copies printed. McNeil A5) 56pp. Japanese square-sewn brown wrappers. A Good or better copy. Typical writing in margins, perhaps more so than in other copies, with rear blank filled with written explanation of..... More
New York: VVV, 1944. No.4, February 1944. 86, [12] pp. with plates. Illustrated red wraps with yapped edges. Basically a Fine copy, unsophisticated, very bright and clean, slight bump to head, tiny scratch to spine, offsetting to plate between pages 56 and 57. The final issue of the surrealist journal..... More
Los Angeles: Dale Hart, [1947]. Issue #2. Stapled 8.5" x 11" mimeographed sheets. A FAPA fanzine focusing on weird poetry. Near Fine, lightly worn a little age-toned. More
Los Angeles: Dale Hart, [1947]. Issues #1 and #2. Stapled 8.5" x 11" mimeographed sheets. A FAPA & VAPA fanzine focusing on weird poetry. Near Fine, very bright, a little age-toned. More
New York: Tobias Press, 1911. First edition, first printing. In a modern quarter binding. Very Good with toning to pages, moderate soiling and dog-earring. A scarce book of poetry by an African American. More
New York: Oxford University Press, 1966. First American edition. Signed by Seamus Heaney on the title page. 57 pp. Greenish blue cloth with gilt lettering. Fine in a Near Fine unclipped dust jacket with light toning, fading to the spine and several short closed edge-tears with light associated creasing. The..... More
New York: Oxford University Press, 1969. First American edition, first printing. Bound in publisher's black cloth lettered in gilt on the spine. Fine, in a Near Fine dust jacket with price intact, very minor soiling and very minor edge wear. A fantastic copy. More
London: Faber and Faber, 1972. First edition. 56 pp. Bound in publisher's black cloth with gilt spine lettering. Foxing to top edge, else Fine in Near Fine dust jacket, toned, with small closed tear in top of front panel, small stain at head, unclipped. The Irish poet's second book. More
London: Faber and Faber, 1975. Advance uncorrected proof of the first British edition. Bound in publisher's blue wraps printed in black with review slip laid in. From the library of Irish writer Francis Stuart, with presentation inscription on the half-title from Ted Hickey reading, "For Francis Stuart from Ted Hickey..... More
New York: Farrar Straus Giroux, 1996. First American edition, first printing. Signed by Seamus Heaney on the title page beneath an inscription made by a previous owner. Paper clip impressions at the top edge of pages, affecting several margins, else Near Fine in a Near Fine dust jacket with light..... More
New York: Oxford University Press, 1973. First American edition, from English sheets. Signed by Seamus Heaney on the title page. Bound in publisher's original turquoise cloth-affect boards with spine titles stamped in gilt. Near Fine with faint toning to edges and boards faintly splayed; small bookseller ticket to front free..... More
New York: Oxford University Press, 1973. A superlative copy of the first American edition, first printing. Bound in publisher's turquoise cloth-affect boards with spine lettered in gilt. Fine, with slight production error to page 27/28 with a small crease to the bottom page corner there. In an unclipped, very bright..... More
London: The Trigram Press, 1967. Signed by Piero Heliczer on the verso of the front flyleaf and inscribed, "ah & have we sucked the chewing gum nipples of reality love Piero Heliczer." First edition. One of only five hundred copies, unnumbered. 36, [3] pp. Original purple and blue cloth lettered..... More
Barton, Vermont: Unpublished Editions, 1974. First edition. Inscribed by Higgins in the year of publication on front free endpaper: "dec. 19, 1974 / dear len - / here's where my publishing ends, / for now - the irs and the recession. / but still writing and many hopes, / lots..... More
Los Angeles: The Zora Gallery, 1965. First edition. Thick sheets, disbound as issued, housed in white folding portfolio. Near Fine in Very Good+ portfolio, lightly creased. One of a hundred copies of Hirschman's fifth book, printed by John Brandi, text surrounded by reproductions of Abstract Expressionist painter Franz Kline's work..... More
