New York: L.B. Fischer, 1945. First edition. 253 pp. Red cloth with black lettering. Near Fine with a few tiny stains to front board, contents unmarked and fairly bright, in Very Good dust jacket designed by the author, chipped around head and tail, price-clipped, spine panel toned and stained. One..... More
New York: Andrews McMeel Publishing, 2016. Signed by Rupi Kaur on half-title. First hardcover edition. (Follows the 2014 paperback original.) [xx], 196, [8] pp. Original black velvet with white lettering. Fine in Near Fine unclipped dust jacket with light scuffing and shelf wear. A signed copy of the bestselling poet's..... More
Boston: The Cornhill Company, 1920. First edition, first printing. Bound in publisher's brown paper covered boards over black cloth spine, stamped in gilt. Near Fine. Spine cloth faded with titles on spine mostly illegible. Light soiling. Front inner hinge repaired, small stray mark to front free endpaper. Light offsetting to..... More
Boston: B. J. Brimmer Company, 1922. First edition, first printing. Bound in publisher's brown paper-covered boards backed with white cloth spine and brown paper title label; with an introduction by W.E.B. Du Bois. Very Good or better, with fraying to edges of title label, light rubbing to edges of boards..... More
[Portland, OR?]: Oregon Federation of Colored Women. [Portland?]: Oregon Federation of Colored Women, [ca. 1920s]. A single sheet, folded once. Near Fine with light edge wear and faint scuffing. A collection of four hymns starting with "Lift Every Voice and Sing" by James Weldon Johnson. It is referred to as..... More
[Portland, OR?]: Oregon Federation of Colored Women. [ca. 1920s]. A single sheet, folded once. Very Good. Folded askew, with some staining and light creasing. A collection of four hymns starting with "Lift Every Voice and Sing" by James Weldon Johnson. It is referred to as the "Negro National Anthem" here..... More
New York: Harper & Brothers, 1941. First edition stated, first printing with "K-Q" code on copyright page. Publisher's beige cloth binding stamped in dark red, lacking the dust jacket. Very Good, with spine cloth lightly darkened, pages toned, previous owner details to front free endpaper and hinge at rear endpaper..... More
[Europe]: [no publisher]. 8" x 10 Parchment-bound album ornately stamped in gilt, containing 39 pages with 36 full page tipped in specimens of dried flowers. Boards lightly bowed, lightly worn; endsheets lightly stained. A fantastic survival, with specimens arranged with pleasing aesthetics. More
[no place]: [no publisher]. [19th Century]. 9.5" x 11.5 Black leather album ornately decorated in blind and stamped in gilt, with beautiful endsheets and all page edges gilt, containing 94 specimens of dried seaweed of various sizes, neatly labeled, mounted on specimen paper and album, with uniform line borders drawn..... More
New York: Charles Scribner's Sons, 1948. First edition. [viii], 311 pp. Original gray cloth with maroon lettering. Near Fine with a little rubbing and foxing along edges, in Very Good unclipped dust jacket, rubbed, slightly foxed, and worn along edges. The African American author's final novel. More
Leipzig: Bernard Tauchnitz, 1857. Signed "Miss Yonge" by the author on the half-title.Two volumes. vi, 338; vi, 344, [1] pp. Dark navy leather spines lettered in ruled in gilt and paper-covered boards, perhaps original, with brown marbled endpapers. Collection of British Authors. Vol. CCCXCII. Copyright edition. Very Good with slight..... More
Toronto: McClelland & Stewart, 1985. First edition. Signed by Atwood on the half title page, inscribed to former owner. Owner's gift inscription above that. 324 pp. Original two-toned cloth with white spine lettering. Light wear along edges, Near Fine, in a Very Good+ unclipped dust jacket with light wear. A...... More
New York: Harper & Brothers, Publishers, 1957. First edition. Signed by Gypsy Rose Lee and inscribed to former owner on half title page. [viii], 337 pp. Original cloth and striped paper-covered boards. Near Fine in Very Good unclipped dust jacket, lightly worn and rubbed with small tear along joint near..... More
New York: Delacorte Press, 1991. First edition, first printing. Signed by Diana Gabaldon on the title page. Slight wear to crown of spine, else Fine, in a Fine unclipped dust jacket with just a bit of lifting to the laminate around the embossing, though with much less than as normally..... More
Philadelphia: J. B. Lippincott & Co., 1960. First edition stated, first printing. Bound in publisher's original brown paper-covered boards with green cloth spine. Very Good, with lean to spine, light sunning to spine cloth, foxing to textblock edge and endsheets, previous owner name and date to front free endpaper and..... More
Boston: Cupples, Upham, & Company, 1885. First American edition and first obtainable English language edition. Bound in publisher's original brown cloth with pine needle decoration across spine and front cover and title printed in black. 399 + 269 pp., plus publisher's catalog dated October, 1884. Cloth rubbed through at edges..... More
New York: Harper & Brothers, 1939. Reprint. Signed by Laura Ingalls Wilder on the half-title page. Bound in publisher's grey/beige cloth stamped in dark red; lacking the dust jacket. Very good with cloth worn at extremities, faint water spot to front cover and very faint to top textblock edge. Pages..... More
New York: Alfred A. Knopf, 1976. Special advance preview copy of the first edition in white printed wraps, signed by Anne Rice on an affixed bookplate. Very Good with light creasing, toning to wraps. Remainder mark to bottom edge, light soiling to textblock and light bumping to corners. More
New York: Frederick A. Stokes, 1907. First edition. Blanck's B printing of the text with 17 gatherings of pages, A binding with no lozenge dot at foot; no determined priorities. BAL 2107. Original green cloth with dark green stamping, mounted illustration. Very Good+ with dust-soiled edges, tips worn, binding slightly..... More
New York: Gemor Press, 1944. First Edition, one of 300 copies. Bound in publisher's decorated paper-covered boards. Near Fine with toning and light lean to spine, light rubbing at extremities. Contents lightly toned. A lovely copy. More
London: The Hogarth Press, 1958. First edition. Uncorrected proof copy bound in publisher's drab printed wraps with typed title label to spine. Very Good with several ink spots to front cover and bottom textblock edge, and a pink stain to the top of the front cover. Light corner wear. A...... More
