Seattle: Fantagraphics Books, 1999. First edition. Signed by Robert Crumb in pencil on publisher's bookplate on front free endpaper, copy #272 of 400 thus. Unpaginated. Bound in publisher's boards with black cloth backstrip lettered in gilt. Fine. The doodles and sketches of America's most famous underground comix artist, the seventh..... More
[np]: [Detroit?], [1967?]. Single color screenprint, entirely unmarked, measuring 31" x 11.5" Originally purchased from a Pittsburgh, Pennsylvania estate that had many posters from the Haight-Ashbury scene of the 1960s and '70s. Presumably made by a graphic artist in connection with the 1967 Ford strike, but entirely without attribution. Very..... More
San Francisco: Arion Press, 1990. First edition, signed by the artist, Jim Dine, on the limitation. #115 of 150 numbered copies from a total edition of 180. 44 leaves. 42 lithographs by Jim Dine. Folio. 55.7x38 cm (22" x 15"), leaves loose in red cloth portfolio box with companion essay..... More
Paris: Emile Lévy, 1923. First edition. Complete in two imperial folio volumes, immense illustrated boards with cloth ties containing loose sheets. Copy #49 of 200 total. Text in French. Ex-art museum library copies with tiny call numbers written on spines, card pocket on paste down, tape stains to cloth and..... More
Paris: Albert Lévy, 1923. First edition. Complete in two imperial folio volumes, immense illustrated boards with cloth ties containing loose sheets. Copy #52 of 300 total. Text in French. Ex-art museum library copies with tiny call numbers written on spines, card pocket on paste down, stamps on the verso of..... More