New York: Farrar, Straus and Giroux, 1976. First edition, first printing. Signed by Elizabeth Bishop and inscribed to a former owner on the title page. Bound in publisher's original brown cloth with spine lettered in gilt, Fine, in a Near Fine unclipped dust jacket which is faintly soiled and faintly..... More
London: Printed for R. Marriot, and are to be sold by Charles Harper at his Shop London, the next door to the Crown near Sergeants-Inn in Chanery-lane, 1688. 1688. xvi, 1-255, [1], [16]. Fourth edition. Small 8vo, meauring roughly 5.5 x 3.75 inches, with ten engravings in text and two..... More
Elgin, Illinois: Brethren Publishing House, 1947. First edition, first printing. Signed by William Stafford and inscribed to a former owner on the recto of the front free endpaper. Bound in publisher's original pale green cloth stamped in gilt, Near Fine with light fading to cloth, in a Near Fine unclipped..... More
Seattle: The Mill Mountain Press, 1971. First edition. 56 pp. with uncredited portrait at front and brief bio at rear. Navy wraps with black and pink designs. Very Good with small tear at head, sunning along top edge, corners bumped, former owner's name written on half title page, tiny stain..... More
New York: George Braziller, 1973. First edition. Signed by the poet on the front free endpaper, inscribed to former owner at Bidart's later publisher FSG, 1996. x, 50 pp. Publisher's mustard cloth lettered in gilt. No rear endpaper (either printer's error or somehow removed without a trace), else Fine in..... More
Boston & New York: Houghton Mifflin Company, 1891. First edition. 100 pp. Publisher's floral-patterned pink and white cloths, lettered and ruled in gilt. Near Fine with toning to spine, slight soiling, internal bookmark torn but laid in, bookplate on paste down, offsetting to front endpaper. The second poetry collection by..... More
New York: Frontward Books, 1977. First edition. Presentation copy signed in the year of publication by Alice Notley "For Annabel [Levitt Lee], friend, publisher, cloud, sembable [sic., semblable], Love, Alice, NYC 77." Annabel Levitt Lee founder her publishing company, Vehicle Editions, the year prior. Bound in original side-stapled wrappers and..... More
Berkeley: Haramia Press, 1976. First edition. 28 pp. In publisher's orange wraps. Fine. An uncommon collection of Black Power-themed poems. More
New York: The Viking Press, 1927. First edition. 103 pp. Publisher's paper-covered boards with black cloth backstrip, paper title label on spine. Near Fine with wear to tips, in rare dust jacket with label, Very Good, a little black staining to front panel, spine panel a but sunned, light edge..... More
Boston: Little, Brown & Company, 1914. First edition. One of only 595 copies printed and bound at the University Press, Cambridge, MA. xxvi, 151 pp. Original cream-colored paper over boards and white cloth lettered in black; lacking the unprinted dust jacket. Very Good with toning and rubbing to covers. Previous..... More
San Francisco: City Lights Pocket Bookshop, 1956. First edition, first issue with Lucien Carr listed on the dedication page and a period after Harlem on the rear cover. Publisher's black wraps printed in blue with white wraparound printed in black. Very Good. toning and light soiling to wraps, bottom corner..... More
Boston and Toronto: Atlantic- Little, Brown & Company, 1983. First edition, first printing, hardcover issue. Signed by Mary Oliver on the title page. Either a review copy or publisher's file copy, with publisher's slips tipped into front paste down. viii, 88 pp. Dark bluish green cloth, spine lettered in gilt..... More
New York: W.W. Norton & Company, 1940. First edition, first printing. Bound in publisher's orange cloth with spine titles blocked in brown and gilt. Near Fine with light spotting to cloth, foxing to endsheets and vintage bookseller ticket to front free endpaper. In a Near Fine unclipped dust jacket, which..... More
[no place]: [none], 1966. [1966]. The correct first edition, self published by the poet. Bound in original printed wraps, not over-printed in blue and verso of the rear free endpaper is blank; this was printed later the same year by Stolen Paper Review Editions and went through various printings under..... More
