Chicago: Stone & Kimball, 1894-1895. The Stedman/Woodberry edition, #72 of 250 sets in the large paper edition. Complete in ten volumes. Bound in publisher's full vellum with beautiful, elaborate gilt stamping with an Arts and Crafts-style floral design. Illustrations printed on thin India paper. Does not contain extra portfolios; that..... More
San Francisco: City Lights Pocket Bookshop, 1956. First edition, first issue with Lucien Carr listed on the dedication page and a period after Harlem on the rear cover. Publisher's black wraps printed in blue with white wraparound printed in black. Very Good with toning, soiling and wear; erased pencil mark..... More
New York: Harcourt, Brace and Company, 1995. First edition, paperback issue. Signed by Mary Oliver on the first blank sheet. Bound in publisher's original blue wraps. Near Fine with light wear to covers, foxing to top of textblock edge. A collection of fifteen prose works. More
San Francisco: City Lights Pocket Bookshop, 1956. First edition, first issue with Lucien Carr listed on the dedication page and a period after Harlem on the rear cover. Signed by Allen Ginsberg and inscribed to a former owner on the title page; additionally signed by this book's publisher Lawrence Ferlinghetti..... More
Cleveland: Ghost Press, 1967. First edition. One of 500 copies. Stapled wraps with silkscreened cover, silkscreen illustrations inside. Very Good, wraps lightly soiled, staples rusted, bumped corners, offsetting from silkscreens. A 1967 rallying of Cleveland local, mimeo, and a few well-known poets to the cause of Asphodel Bookshop owner Jim..... More
Boston: Beacon Press, 2004. First paperback edition, first printing. Signed by Mary Oliver on the title page. [xvi], 75, [3] pp. Bound in publisher's wraps. Fine. More
New York: Boni and Liveright, 1922. First edition, first state; number 415 of 1,000 numbered copies; with stamped number 5mm tall, the "a" in the word "water" missing on page 22 and "mountain" spelled correctly on page 41. Bound in publisher's original black cloth over flexible boards, lettered in gilt..... More
London: The Hogarth Press, 1939. First edition, first printing. Bound in coral cloth stamped in gilt. Offsetting to endsheets and pages tanned, else Fine in a Very Good+ unclipped dust jacket illustrated by Vanessa Bell, with toning, light soiling, foxing and wear with a worm hole at the bottom of..... More
New York: New Directions, 1952. First American trade edition, first printing. Bound in publisher's original paper covered boards lettered in crimson, image if Dylan Thomas tipped in at title page. Near Fine with slight wear to tips, former owner name and date to front free endpaper. In a Near Fine..... More
New York: Alfred A. Knopf, 1929. Third printing. Signed by Langston Hughes on the front free endpaper and inscribed to previous owner. Bound in publisher's original purple cloth lettered in gilt. Very Good with fading to cloth at spine and edges, oxidation to gilt lettering on spine. Pages tanned, hinge..... More
