Boston: Roberts Brothers, 1891. First edition, first printing. Bound in publisher's quarter white cloth over bevel-edged boards with green cloth spine, stamped in gilt with Indian pipe stem motif, all edges gilt. Good. Binding slightly askew, cloth heavily foxed, spine lightly faded and edge-worn; former owner name and date to..... More
New York: Boni & Liveright, 1926. First edition, first printing. Second issue with Allen Tate's name correctly spelled on the title page, which is a cancel. Bound in publisher's original tan batik paper covered boards over dark blue spine cloth lettered in gilt, with blue topstain. Near Fine with toning..... More
New York: Simon and Schuster, 1955. First edition, paperback issue. 98 pp. including wrappers. Near Fine with slightly toned wraps, lightly edge-rubbed. DeCarava had won a 1953 Guggenheim Fellowship to photograph African American life in Harlem. It was a chance meeting on a Manhattan street corner in which..... More
New York: Andrews McMeel Publishing, 2016. Signed by Rupi Kaur on half-title. First hardcover edition. (Follows the 2014 paperback original.) [xx], 196, [8] pp. Original black velvet with white lettering. Fine in Fine unclipped dust jacket. A signed copy of the bestselling poet's first book. More
London: Field & Tuer, The Leadenhall Press, 1885. First trade edition. Unpaginated, 24 blank ruled leaves entitled 'Fysshe Stories' to rear. Publisher's full stiff vellum with gilt stamped vignette and lettering.Original printed cloth wallets of cloth on front pastedown, as issued. Ties present, though broken. Very Good with light soiling..... More
[Chicago]: The Reilly & Lee Co, 1953. First edition. Signed by Edgar Guest and Royce Howest on half title. x, 248 pp. Bound in publisher's brown cloth stamped in darker brown and gilt. Fine in Very Good+ dust jacket with wear at head, light rubbing. A biography of the British-born..... More
New York: Alfred A. Knopf, 1923. First edition, first printing. Bound in publisher's black cloth decorated in gilt; lacking the dust jacket. Good. Cloth worn, rubbed through and frayed at edges. Spine faded and worn at ends. Former owner name and details to front free endpaper, pages toned, small bookseller..... More
Norfolk, CT: New Directions, 1940. First American edition, first printing. Signed and inscribed by Dylan Thomas during his 1950 tour of the United States, "With best wishes to...Lilian [sic] and Harry Dick Ross from...and with love of their house, hills, and sea, April 1950." The recipients were Lillian Bos Ross..... More
London: Printed for John and Henry L. Hunt, 1824. First edition. xi, [iii], 415, [1] pp. bound with the errata leaf. Later green calf gilt, smooth spine gilt, brown decorative morocco lettering-pieces gilt, all edges gilt, blue marbled endpapers, stamp-signed by Zaehnsdorf for A. C. McClurg. Near Fine with slightly..... More
New Orleans: Loujon Press, 1963. First edition, first printing. One of 777 unnumbered copies, signed by Charles Bukowski in silver paint pen and dated 2-18-64. Multi-colored letterpressed sheets bound into stiff white wrappers, in decorated cork lined wrap-around dust jacket. About Fine, with touches of wear at the extremities and..... More
New Orleans: Loujon Press, 1963. First edition, first printing. One of 777 unnumbered copies, signed by Charles Bukowski in yellow paint and dated 8-3-63, with a full page inscription and a doodle. Multi-colored letterpressed sheets bound into stiff white wrappers, in decorated cork lined wrap-around dust jacket. Near Fine, with..... More
London and Cambridge: Macmillan & Co., 1862. First edition, first printing. Bound in publisher's original dark blue ribbed cloth with upper board and spine decorated in gilt, and lower board decorated in blind. Near Fine with light lean to binding, light rubbing to cloth and softening to corners; tissue guard..... More
New York: The Macmillan Company, 1928. First American edition, first printing. Bound in publisher's green cloth elaborately stamped in gilt with design by Thomas Sturge Moore. Near Fine with uneven fading to cloth mostly at edges. Pages lightly toned and with a light storage odor. Light foxing to bottom textblock..... More
