Detroit: Broadside Press, 1968. First edition, first printing. [2], 36, [2] pp. Bound in publisher's staple bound printed wraps. Near Fine with slight bump to top corner of cover and contents; evenly toned throughout. The rare first printing of the late poet and educator's second chapbook that includes her most..... More
New York: The Limited Editions Club, 1983. First edition. #983 of a limited 1,500 signed by John Hersey, Robert Penn Warren and Jacob Lawrence. Illustrated with 8 silk screens by Lawrence. Laid in are the care instructions leaflet and December 1983 monthly newsletter from LEC. Bound in the original full..... More
London: Faber & Faber, [1930]. First edition, first printing of the poet's first published book. [vi], 79 pp. Bound in publisher's blue printed wraps over cardstock covers. Very Good+ with slight slant to spine, light toning to spine and edges, rubbing at joints with minor bumping to corners. Slight soiling..... More
New York: Jerome Rothernberg & David Antin, 1966. First edition. The third issue of the literary and arts magazine. [80] pp. Bound in publisher's decorative wraps designed by Andy Warhol consisting of a series of perforated "Bomb Hanoi" stickers, intact. A list of contributors printed on the rear cover includes..... More
Santa Rosa: Black Sparrow Press, 1992. First edition. Number 227 of a limited 750 copies signed by Bukowski on a tipped in sheet with doodle of the little smoking man. Bound in publisher's paper-covered boards over cream cloth spine with paper spine label. Near Fine with light lean to binding..... More
St. Louis: Nicon-Jones Printing Co., 1885. Second edition of the long narrative poem by an African American poet born into slavery. 97 pp. Bound in publisher's dark green cloth, stamped in blind and lettered in gilt, yellow coated endpapers. Very Good with moderate wear and soiling to cloth, 2 stains..... More
Boston: Beacon Press, 1992. First edition, fourth printing. Signed by Mary Oliver on the front free endpaper and inscribed "For Emma, with good wishes, Mary Oliver. February 9, 1994. Sweet Briar, VA." The book was gifted to Emma by a woman named Jocelyn, and a cardinal-shaped Valentine's card laid in..... More
Old Deerfield, MA and Dublin, Ireland: The Deerfield Press and The Gallery Press, 1978. First edition. One of a limited 250 copies signed by Seamus Heaney at the rear colophon; additionally signed and inscribed by Heaney on the front free endpaper though not called for, "in Deerfield May 1979." Bound..... More
New York: Simon and Schuster, 1970. First trade edition. 141 pp. Bound in publisher's purple paper-covered boards over purple spine cloth lettered in metallic purple and gilt; purple topstain. Near Fine with foxing to textblock edge, small doodle to front free endpaper. In a Near Fine unclipped dust jacket with..... More
![Item #140948736 [The Flowers of Evil] Les Fleurs du mal. Charles Baudelaire, Georges Rochgrosse](https://burnsiderarebooks.cdn.bibliopolis.com/pictures/140948736.jpg?width=320&height=427&fit=bounds&auto=webp&v=1762887993)
Paris: Librairie des Amateurs, A. Ferroud - F. Ferroud, Successor, 1910. Deluxe limited edition of Baudelaire's most famous work, #8 of 80 copies printed on Japon paper. 292, [6] pp., publisher's prospectus bound in at rear. Illustrated with 27 illustrations drawn by Georges Rochgrosse and etched by Eugene Decisy, including..... More
![Item #140948707 Black Opals: Volume I, Number 3, June 1928 [and] Volume II, Number 4, Christmas...](https://burnsiderarebooks.cdn.bibliopolis.com/pictures/140948707.jpg?width=320&height=427&fit=bounds&auto=webp&v=1762452897)
Philadelphia: Black Opals, 1928. First edition, limited issues. Number 235 of 250 copies and Number 153 of 200 copies printed. 20; 20 pp. Bound in publisher's respective yellow and orange printed wraps, with black and white illustrations. Ownership inscription of Black Opal contributor, stage director, playwright and actress Gertrude Parthenia..... More
