Portland, OR: L.M. Berry, 1977. First edition. 96 pp. Stapled white wraps, purple contents. Near Fine with light toning and wear. A rare volume of Portland, Oregon Black Power poetry, only two institutional copies located in a recent OCLC search. The poets use pen names throughout the work, writing in..... More
Redwood City, CA: Vagabond, 1972. First edition, copy #8 of 25 in the limited issue signed by Al Masarik. 69, [3] pp. Stapled wraps. Price on back cover whited out, else Fine. More
Berkeley: Oyez Press, 1975. First edition, one of 125 numbered copies in the signed limited issue. Signed by Transtromer and translator Samuel Charters. Unpaginated. Paper covered boards with green cloth backstrip, title label on spine.No jacket, as issued. Near Fine with a hint of foxing to spine label, a little..... More
New York: Simon & Schuster, 1970. First trade edition. 141 pp. Purple cloth gilt and metallic purple lettering. Near Fine with a little foxing to edges in a Very Good+ dust jacket, a little rubbed with a small closed tear in the top of the front panel. A nice copy..... More
New York: Harcourt, Brace and Company, 1958. First trade edition, first printing; preceded by a signed limited edition of 300 copies. Publisher's brown boards with black cloth backstrip. Very Good with slightly shaken binding, worn tips, former owner's name written on fore and top edges, bookstore stamp on front free..... More
Columbus: Golden Goose Press, 1952. First edition. Unpaginated. Stiff white wraps in fragile attached clear textured jacket. Near Fine with a tiny hole and tear to the thin clear wraps, corners a bit bumped. Includes staplebound publisher's trade list. The Black Mountain poet's first book. More
Boston and New York: Houghton, Mifflin and Company, 1892. Three volumes bound in early-to-mid 20th-century half-leather over marbled boards. Near Fine with leather lightly scuffed and rubbed, spines sunned. Former owner bookplate to front pastedowns. Longfellow's translation, originally published in 1867, was the first American translation of Dante's Italian narrative..... More
New York: The Macmillan Company, 1916. Signed by Robinson Jeffers, inscribed to former owner on title page at the author's residence Tor House, Carmel, CA, May 1936. First edition, first printing. Advance review copy with publisher's perforated stamp to title page. 217, [1], [8, ads] pp. Publisher's blue cloth with..... More
New York: The Macmillan Company, 1921. First edition, first printing. Signed by Zona Gale on front free endpaper with a length inscription to writer and historian H. Ogden Wintermute at his hometown, "'And when shall we / be touched with light / To know the things that are...' [signed] Zona..... More
New York: Exposition Press, 1955. First edition stated, first printing. Bound in publisher's red cloth with spine lettered in black. Near Fine with light rubbing to cloth at tips, faint stain to rear cover, light offsetting and foxing to endsheets. In a Good unclipped dust jacket with tears, worming and..... More
New York: Henry Holt and Company, 1916. First edition, first printing, first issue. An association copy, signed by Robert Frost and warmly inscribed on the front free endpaper to his longtime friend Charles Oliphant, pastor of the First Congregational Church of Methuen, Massachusetts. The first issue errors are present and..... More
New York / New Orleans: Lyle Stuart, Inc., printed by the Loujon Press, 1965. First edition, first printing from a limited edition of 3,100. Signed by Bukowski in red ink, dated 4-4-65. Self-wraps with wrap-around belly band. Illustrated by Noel Rockmore. Near Fine, with light rubbing at edges, wear to..... More
New York: Horace Liveright, 1930. First American edition, preceded by the Paris edition published by Black Sun Press. Bound in publisher's original dark blue cloth ruled in blind, with titles in gilt on spine and upper board. Very Good with cloth lightly marked and mottle, and with light stains visible..... More
London: J. Johnson, 1795. First Edition in English of Catullus' complete works, side by side with the original Latin. xxxvi, 223, [3]; [iv], 236, [2] pp. Contemporary full calf, edges ruled in gilt, spine elaborately stamped in gilt with black title label and red numerical label. Complete in two volumes..... More
New York & Homestead, FL: Whispershit Press & Olivant Press, 1966-1967. Complete run of the journal in four issues with an anthology published as the Winter 1967-1968 issue of The Human Voice, Vol. III No. 4. [vi], 100; "83" [but irregularly paginated]; [ii], 112; 72; [vi], 44 pp. Stapled wraps..... More
New York: Pantheon Books, 1993. First American edition. Signed by Leonard Cohen on the title page in ink with his heart stamp. [xvi], 415 pp. Original cloth, spine lettered in silver. Near Fine with faint foxing to top edge, spine cloth slightly discolored, in a Near Fine dust jacket with..... More
New York: The Macmillan Company, 1914. First edition. (First printing with title page dated 1914, "Set up and electrotyped. Published October, 1914." on copyright page with no additional printings listed.) xviii, 246, [6, ads] pp. Publisher's boards with green cloth backstrip, paper title labels. A Very Good copy with light..... More
London: Humphrey Milford, 1918. First edition. [viii], 124 pp. with two tissue-guarded portrait plates and two double page facsimile manuscripts. Publisher's boards and linen backstrip. Very Good with title label mostly worn away, boards a bit soiled, former owner's name written on front free endpaper. The first Victorian poet's true..... More
![Alturas de Macchu Picchu [The Heights of Macchu Picchu]. Pablo Neruda, Martin Chambi, Photographs](/pictures/thumb/140940808.jpg?v=1608089269)
Chile: Nascimento, 1954. Signed limited edition, and the first printing of this edition. Bound in publisher's printed stiff wraps with yapped edges. Copy number 993 of 1,000, signed by Pablo Neruda on the limitation page. Very Good with light lean to spine, light general wear and light creasing to wraps..... More
Portland, OR: The Impossibilists, ca. 1980s. Seven issues of the rare ephemeral publication from the Impossibilists, a Portland, OR collective of artists and writers primarily associated with mail art. Founded by Mark Sargent and Tom Cassidy in 1977, the Impossibilists had an absurdist aesthetic and were active in a variety..... More