London: Elkin Mathews, 1911. First edition, first printing. First binding, and one of less than 500 bound as such, from a total edition of 1,000 copies. Bound in publisher's streaked grey cloth stamped in gilt. Very Good or better. Spine lightly toned, several small spots to rear board. Remnants of..... More
London: Elkin Mathews, 1909. First edition, first printing. First issue with "of" on the upper board. Bound in publisher's burgundy paper-covered boards stamped in gilt. Very Good or better, with some rubbing to covers, previous owner bookplate to front paste down, name and date to front free endpaper partially removed..... More
Waldport, Oregon: Untide Press, 1945 [1946]. First edition, likely second impression. (According to Morgan the first and second impressions are identical. All but roughly 30 copies of the first impression were scrapped due to a printing mishap.) [35] pp. Heavy black wraps with slick white label wrapped around fold. A...... More
New York: The Viking Press, 1927. First edition, first printing. [x], 56 pp. Original gilt paper covered boards with black cloth backstrip lettered in gilt. Very Good with some edge wear to covers. Previous owner bookplate to front paste down, pages toned. In a Good dust jacket, tattered and toned..... More
New York: Henry Holt and Company, 1916. First edition, first printing, first issue with a line repeated on page 88, and "come" instead of "gone" on page 93. 99 pp. Publisher's dark navy cloth with gilt lettering and ruling. 1917 gift inscription to front free endpaper, else Fine, lacking the..... More
London: Sidgwick & Jackson, Ltd., 1911. First edition. viii, 88 pp. Publisher's navy cloth with paper spine label. A Very Good or better copy, spine label chipped at edges and rubbed, cloth at head worn, contents bright and unmarked. The only book of the idealistic British poet's published during his..... More
Santa Barbara: Black Sparrow Press, 1977. First edition. Signed limited edition, #177 of 300 copies. Near Fine with light sunning to corduroy spine cloth, light toning to edges of boards, light soiling to textblock edge. Stray ink mark to front free endpaper. In publisher's Very Good acetate wrapper, crimped on..... More
London: J. Wilford, 1733-134. Together five volumes, uniformly bound in modern paper-backed marbled boards, spines gilt-lettered. All epistles (not Part I) in the original size, uncut. First edition, first issue of Part I according to Griffith (not yet an epistle, A copy, collating A-E2, trimmed and probably not the smaller..... More
New York: Farrar, Straus & Cudahy, 1956. First edition. 57, [5] pp. Illustrated boards. Near Fine with slight toning to boards, light shelf wear, in an unclipped dust jacket with toning along top of front panel, wear along spine, which is a little dulled, Very Good+. A nice copy of..... More
Philadelphia: David McKay, 1900. 496 pp. with two fold-out facsimile manuscript pages. Green cloth elaborately stamped in gilt and black, top edge gilt. Some neat underlines and marginal notations in ink and pencil, else Very Good with slightly bumped corners. An early posthumous edition of Whitman's masterwork. More
Chicago: The Swallow Press Inc., 1971. First American edition. x, 170 pp. Original red cloth, spine lettered in black. About Very Good with faint tidemark on front board, a few marginal tic marks towards front, reading smudges, small stain to fore edge, in a Good sunned, lightly dampstained, and rubbed..... More
San Francisco: Dave Haselwood, 1968. First edition. Unpaginated. Limp suede over rough-cut paper. Faint crease to front free endpaper, else Fine, suede edges a little irregularly cut. One of approximately 50 copies of the vanished Beat poet's scarcest work. More
New York: Simon and Schuster, 1970. First edition. 141 pp. Purple cloth gilt and metallic purple lettering. Very Good+ with light foxing and staining to edges, gift inscription on front free endpaper; in Very Good price-clipped dust jacket, lightly rubbed, small tear near head. The Doors' singer's only book published..... More
New York: Farrar, Straus & Giroux, 1979. First American edition. Signed by the poet on the title page. x, 131 pp. Publisher's tan cloth lettered in black. Near Fine with hints to foxing to edges, in Near Fine dust jacket, lightly worn and price-clipped. More
New York: Farrar, Straus & Giroux, 1974. First American edition. 303 pp. Publisher's black cloth with gilt lettering. A little offsetting to endpapers, still Fine in a Near Fine unclipped dust jacket with a hint of sunning to spine panel. A bilingual edition in English and Spanish. More
San Francisco: City Lights Books. Thirty-ninth printing. Signed by Allen Ginsberg on the title page and dated 11/6/91. Bound in publisher's wraps printed in black. Very Good with some blemishes to covers, covers lightly curled outward. Small indentations to top corner of first several pages. More
Cambridge, MA: Richard Brukenfeld, 1955. First edition. Signed by Gregory Corso on the title page in red ink. [vi], 35 pp. Publisher's white wraps printed in black and blue. Very Good with light soiling and wear to wrappers, slight crease to rear wrap corner and a few pages toward rear..... More
London: Downey & Co., 1896. First edition. xxviii, 165, [3] pp. Publisher's green cloth stamped in gilt. A Near Fine copy with slightly rubbed gilt, crease to tissue guard, offsetting to endpapers, former owner's name written on half-title. A nice copy of a collection of the Irish Gothic writer's poetry..... More
