New York: Dodd, Mead and Company, 1902. Early reprint of the first edition, with 1902 in Roman numerals on the title page and 1901 listed on the copyright page. Bound in publisher's original green decoratively stamped cloth, with tp edges gilt; lacking the scarce dust jacket. Very Good, with cloth... More
New York: Dodd, Mead and Company, 1905. First edition, first printing. Bound in publisher's brown cloth stamped in black, grey red and gilt, with photographic onlay to front cover; top edges gilt. Near Fine with light rubbing at tips, light rubbing to black stamping on spine. Previous owner details in... More
New York: Grove Press, 1957. First edition, first printing. Issued in a special edition of 15 copies, a limited edition of 75, and here as an Evergreen Book of Poetry. Bound in publisher's stiff wraps printed in black. Very Good with fading to spine, light soiling to wraps, pages lightly... More
London and Cambridge: Macmillan & Co. First edition, first printing. Bound without ads in contemporary full blue leather, with raised bands, stamped in blind and gilt; all edges gilt. Very Good. Binding worn, rubbed at extremities, with rear joint rubbed through at top end. Previous owner name to front free... More
London: Elkin Mathews, 1920. First edition, first printing. Bound in publisher's grey paper covered boards over linen spine cloth, printed in dark blue. Very Good with light bowing to boards, rubbing to corners, toning to spine cloth, previous owner bookplate to front paste down and name to front free end... More
New York: Harcourt, Brace and Company, 1958. First trade edition, first printing; preceded by a signed limited edition of 300 copies. Signed by E. E. Cummings and inscribed by him to former owner. Near Fine with slight shelf wear, Small patch of offsetting and small piece of tape to front... More
San Francisco: Graham Mackintosh, 1968. First edition. Stiff cream wraps containing eight unopened seed packets with a short Brautigan poem on each side, planting instructions on the other. Very Good+ or better with slight toning and shelf wear to wraps, offsetting to fore edge from glued flaps (some copies of... More
Boston: The Cornhill Publishing Company, 1921. First edition. xiv, [2], 92, [2] pp. Black cloth and brown paper-covered boards, front board ruled and lettered in gilt. A Very Good+ copy, sans jacket as issued, worn at extremities with name on paste down. The first poetry book by the author of... More
New York: Simon and Schuster, 1970. First trade edition. 141 pp. Purple cloth gilt and metallic purple lettering. Near Fine with gift inscription on front blank, back upper tip worn, in unclipped Near Fine dust jacket with some small chips at top edge of back panel, back panel has small... More
Santa Barbara: Black Sparrow Press, 1979. First paperback edition. A sharp, unread copy: Near Fine with very faint sunning to spine and age-toning to pages. More
New York: New Directions, 1991. First edition. Signed by author, inscribed to former owner on title page. x, 115 pp. Original wraps. A Near Fine copy. More
San Francisco: Cranium Press, 1972. First edition. Signed by McClure on title page, inscribed to his longtime friend, scientist Sterling Bunnell and his wife. Very Good+ with rubbed wraps. More
Boston: Richard Brukenfeld, 1955. First edition, first printing. Bound in publisher's white wraps printed in black and blue. Very Good, with toning, light soiling and light wear to wraps. Corners bumped throughout. The author's first published book. More
San Francisco: City Lights Pocket Bookshop, 1956. First edition, first issue with Lucien Carr listed on the dedication page and a period after Harlem on the rear cover. Publisher's black wraps printed in blue with white wraparound printed in black. Very Good. Light soiling and light wear to wraps, with... More
New York: John Lane, 1897. First edition, American issue. One of 150 copies shipped to America from a small, limited run of 500 printed in England at Housman's expense. Bound in publisher's original half-vellum spine with title label printed in red, over gray paper-covered boards. Very Good. Toning and light... More
Hartford: [Printed by Finlay Brothers and sold by Dunster House, Cambridge, Mass.], 1925. First edition. Copy #1 of 5, printed on vellum; from an edition of 99 copies total, with the first five printed on pure vellum. Near Fine. Binding foxed. Small, morocco bookplate of former owner Richard Montgomery Gilchrist... More
New York: Henry Holt and Company, 1921. First edition, first printing. Bound in publisher's pale green printed wraps. Very Good. Light soiling, light foxing and light wear to wraps, especially at yapped edges, though in much nicer condition than normally found. Contents toned. Full page plus four lines of light... More
New York: [no publisher], 1982. First edition, first printing. Copy 12 of 22 numbered gift copies signed by Tom Weigel. Printed sheets staple bound with acetate wrapper. Near Fine with light toning to pages, shelf wear, small chips at spine ends and light surface wear to acetate cover. A lovely... More
Cleveland, OH: Ghost Press, 1968. Unpaginated (approx. 275 pages with six color silkscreens by T.L. Kryss). First edition, first printing; stated "limited edition of 1000 copies" on title page. Softcover with mimeographed type bound with black library tape, as issued. Very Good or better. Light toning light soiling and light... More
London: Smith, Elder & Co., 1846. First edition, second issue with a cancelled title page. Bound in near contemporary full calf without the single advert leaf occasionally appearing before the title page, the errata slip which usually occurs, and the publisher's catalogue at the rear which was present in some... More
Los Angeles: Black Sparrow Press, 1973. First edition. Copy #5 of limited 500 numbered copies with an original painting by Charles Bukowski tipped in, also signed by him on the limitation page. Near Fine, with light toning to covers, in a Very Good chipped and torn acetate wrapper, which may... More
Sutton West & Santa Barbara: The Pagent Press, 1986. First edition, signed, author's copy. Deluxe edition marked "Author's Copy," with an original black felt ink drawing by Bukowski on a folded single sheet, laid into pink folder sleeve at front endpaper, as issued. Signed by Bukowski at rear, along with... More
New York: Covici Friede, 1933. First edition. Copy 59 of a limited 1381 numbered copies, signed by the author. Publisher's yellow cloth binding stamped in black. Very Good, with cloth moderately soiled and scuffed, spine lightly faded, tips rubbed, corners bumped. Previous owner bookplate to front paste down, and name... More
1937: The Golden Eagle Press, Mount Vernon. The Archetype edition. Copy #317 of a limited 481, unsigned. Bound in publisher's green paper-covered boards over vellum spine lettered in dark green. Very Good, with scuffing to front cover, light dust-soiling, rubbing at tips, and light foxing to vellum. Scarce. More
