Indianapolis and New York: The Bobbs-Merrill Company, 1938. First American edition, first printing in publisher's original second state brown cloth binding. Light bumping to edges of covers, and pages toned, else Fine, in a Near Fine unclipped dust jacket with the affects of unnecessary tape repairs made to the verso..... More
New York: D. Appleton and Company, 1920. First edition, first printing with "(1)" at end of text. Bound in publisher's dark salmon cloth lettered in black, a variant not mentioned by Garrison; lacking the dust jacket. Very Good with soling, toning and wear to cloth, with light fraying at head..... More
New York: Crosby Gaige, 1928. Signed limited first edition. Copy 525 of a limited 800 numbered copies, signed by James Joyce. Bound in publisher's brown cloth stamped in gilt with boards decorated in blind. Near Fine with faint rubbing to cloth at spine ends, faint stains to covers and a...... More
New York: The Dial Press, 1956. First edition. [viii], 248 pp. Original boards with black cloth backstrip, silver lettering. Near Fine with a little toning to pages, hint of foxing to paste down, in About Very Good dust jacket with chips at extremities, a few short tears to top of..... More
New York: Alfred A. Knopf, 1953. First edition stated, first printing. Bound in publisher's orange cloth stamped in gilt; lacking the dust jacket.Near Fine with small stain to bottom edge of bottom board; lacking the front free endpaper, pages lightly toned else an attractive copy of the African American author's..... More
New York: Alfred A. Knopf, 1942. First edition. Bound in publisher's original brown cloth, front board and spine stamped in dark brown. Very Good with faint light wear to cloth at extremities; endsheets offset from binders glue and former owner name written to front free endpaper, pages toned. In a...... More
New York: Random House, 1983. First American edition in the English language. [6], 264, [2] pp. Bound in publisher's paper-covered boards and cloth, spine lettered in metallic blue. Former owner's ex libris emboss on half title, else Fine in Fine dust jacket. A rare fictionalized memoir of a...... More
London: Jonathan Cape, 1952. First British edition. 127 pp. Bound in publisher's navy cloth, stamped in maroon and light blue. A Fine copy in the beautifully-designed jacket by Hans Tisdall, first state (not double-sided), Near Fine with a tiny scrape to the spine panel, rubbing along edges, a little dulling..... More
New York: Doubleday, 1993. First edition, limited issue. Number 80 of 350 limited copies signed by John Grisham. Bound in publisher's deluxe full charcoal leather binding stamped in gilt, speckled page edges and marbled endsheets. Fine in fine original cloth slipcase, lacking glassine dust wrapper. More
New York: Harper & Row, 1970. First edition stated, first printing. Signed by Tony Hillerman on the title page, and with an original ink and colored pencil drawing by Native American artist Ernest Franklin, also signed. Bound in publisher's original purple leatherette boards over blue cloth spine lettered in red..... More
London: Macmilland and Co., 1896. First Hugh Thomson illustrated edition, first printing. Bound in publisher's red cloth with elaborate gilt stamping, al ledges gilt. Very Good light lean to spine, cloth faded at spine and worn at extremities. Small vintage bookseller ticket to front pastedown, former owner name and date..... More
New York: Harper & Brothers, 1932. First edition stated, first printing. Bound in publisher's original patterned red and blue paper over black cloth spine titled in red; lacking the dust jacket. Very Good with rubbing to covers with wear heavier at corners, soiling to rear cover; pages toned, former owner..... More
London: The Hogarth Press, 1921. First edition, first printing. Bound in publisher's cloth-backed paper-covered boards with Vanessa Bell illustration on front cover; all four full-page woodcuts by Vanessa Bell present. Very Good with light rubbing, soiling and toning to covers. Pages toned, with offsetting from woodcuts to adjacent pages, former..... More
Boston and New York: Houghton Mifflin Company, 1938. First American edition, first state with a bowing hobbit on the title page, and Chapter VII mistakenly titles Chapter VI. Bound in publisher's original buff cloth stamped in blue and red; lacking the dust jacket. Near Fine with faint lean to spine..... More
New York: Bantam Books, 1984. First edition. [x], 342 pp. Publisher's blue paper-covered boards over dark blue cloth backstrip lettered in gilt. First edition. Fine in Fine unclipped dust jacket with only the slightest hint of shelf wear. Perhaps the author's most famous work, uncommon in such excellent condition. More
New York: The Macmillan Company, 1914. First edition, first printing. Bound in publisher's orange heavily stamped in blue, white and gilt. Near Fine with light rubbing to spine ends, else very sharp, in a Near Fine dust jacket with soiling and edge wear, with chipping along the top edge. Scarce..... More
New York: Dodd, Mead and Company, 1898. First edition. [xii], 263 pp. Brown cloth stamped in gilt and black with pictorial inset on front cover, gilt topstain. Very Good with stain spots to front board, light reading wear, slightly bumped corners. A collection of short stories. More
New York: Ballantine Books, 1952. First edition, hardcover issue. 243, [7] pp. Bound in publisher's black and tan cloth with black spine lettering. Near Fine in Very Good+ dust jacket with light wear and creasing, very little sunning. A juvenile delinquency novel by the author of Reefer Boy and Tomboy..... More
New York: Farrar, Straus and Cudahy, 1962. First edition, first printing. Near Fine with slight fading to spine cloth, light wear to textblock edge and former owner bookplate to front free endpaper, in a Near Fine unclipped dust jacket with light edge wear, light rubbing and an old price sticker..... More
New York: The Viking Press, 1952. First edition, one of a limited 1,500 copies signed by John Steinbeck, of which 750 were for private distribution. Publisher's green cloth binding stamped in gilt and brown. Fine in a Near Fine slipcase with rubbing mostly at the joints and light sunning; lacking..... More
Garden City, New York: Doubleday and Company, 1958. First edition stated, first printing. Signed by Leon Uris on the half-title page in green ink. Bound in publisher's blue cloth backed spine over beige leatherette boards, lettered in black on front cover and in silver on spine. Very Good cloth lightyl..... More
London: Arthur Barker Limited, 1979. First edition, first printing. Bound in publisher's dark blue cloth-affect boards with spine lettered in gilt. Near Fine with light lean to spine, light edge wear to covers and foxing to top of textblock edge. In a Very Good+ dust jacket with light fading to..... More
Norfolk, CT: New Directions, 1940. First American edition, first printing. Signed and inscribed by Dylan Thomas during his 1950 tour of the United States, "With best wishes to...Lilian [sic] and Harry Dick Ross from...and with love of their house, hills, and sea, April 1950." The recipients were Lillian Bos Ross..... More
London: Chatto & Windus, 1970. First British edition, first printing. Signed by Toni Morrison on the title page. Bound in publisher's blue cloth-affect paper-covered boards with titles printed in gilt on the spine. Near Fine with light wear at corners and spine ends. In a Near Fine price-clipped dust jacket..... More
New York: Random House, 1934. First American edition. Original cream-colored cloth lettered in black and red; lacking the dust jacket. Near Fine with cloth lightly toned, lightly foxed and lightly frayed at tips. Pages toned, small area of webbing exposed at front inner hinge, and first two page groupings sit..... More