New York: Alfred A. Knopf, 1997. First American edition, first printing. Signed by Haruki Murakami on the title page. [viii], 611, [3] pp. Bound in publisher's illustrated boards. Bottom corners slightly bumped, else Fine in a Fine unclipped dust jacket. Includes publisher's advance excerpt, bound in wraps, 71 pp. Fine..... More
New York: Alfred A. Knopf, 2005. First edition, first printing. Signed by Cormac McCarthy, one of an unspecified limitation signed by him on a tipped in sheet at the front. [x], 309, [3] pp. Bound in publisher's black paper-covered boards with spine lettered in gilt. Fine in a Fine unclipped..... More
New York: The Macmillan Company, 1920. First edition. Signed by Vachel Lindsay on the paste down and front free endpaper with a lengthy inscription to the former owner, Spokane, Washington, 1924. [ii], iv, 329 pp. Bound in publisher's brown cloth decorated in blue, black , and gold. Very Good+, worn..... More
New York: Harcourt, Brace & World, Inc., 1961. First American edition. Signed by Witold Gombrowicz on front free endpaper, inscribed to the former owner and dated in the year of publication. 272 pp. Bound in publisher's blue cloth with front stamped in blind, spine lettered in silver. Near Fine with..... More
Chicago: Stone & Kimball, 1894-1895. The Stedman/Woodberry edition, #72 of 250 sets in the large paper edition. Complete in ten volumes. Bound in publisher's full vellum with beautiful, elaborate gilt stamping with an Arts and Crafts-style floral design. Illustrations printed on thin India paper. Does not contain extra portfolios; that..... More
New York: The Macaulay Company, 1931. First edition, first printing of one of the earliest Afro-futurism works written. Bound in publisher's beige cloth stamped in black, lacking the dust jacket. Very Good with soiling to cloth, wear at corners and spine ends. Paper residue to edges of front free endpaper..... More
London: Edward Arnold & Co., 1924. First edition, first printing. Signed by E. M. Forster on the title page. 325, [3] pp. Bound in publisher's dark red ribbed cloth with titles stamped in black. Near Fine with light wear to cloth at extremities, nearly-imperceptible fading to spine cloth, foxing to..... More
Watertown, MA: Persephone Press, 1982. First edition, first printing. Signed by Audre Lorde and inscribed to a former owner on the title page. Bound in publisher's wraps printed in red and purple. Very Good with fading to spine, toning to rear cover, light wear and light creases to wraps, foxing..... More
Chicago: The University of Chicago Press, [1982]. Signed by Norman Maclean on the front free endpaper. xiv, 217 pp. Bound in publisher's original blue cloth with spine lettered in silver. Ninth printing of the first edition. Very Good, lacking dust jacket, bowing to rear board, bumped corners, light foxing to..... More
Baltimore: Press of Thomas & Evans, 1902. First edition. 269 pp. + [32] half tone plates. Bound in publisher’s grained maroon cloth with gilt spine title and blind stamped decorations. Illustrations mostly from photographs. About Very Good with chipping to head cloth, worn corners, cloth lightly soiled and mottled. An..... More
Toronto: The Macmillan Company of Canada Limited, 1964. First edition. (This, the Canadian edition, preceded all others.) Signed by Jane Rule on the title page. 255 pp. Bound in publisher's crimson cloth with silver lettering. Fine in a dust jacket with some staining to back panel, hint of sunning to..... More
London: John and Robert Maxwell, [1887]. First printing of this translation. viii, 308 pp. Bound in recent navy cloth with leather backstrip, ruled and lettered in gilt, new endpapers. Fine binding. Contents Very Good+ with a few tiny stains to fore edge and reading smudges. A rare early English translation..... More
New York: Charles Scribner's Sons, 1926. First edition, first printing, first issue with 3 p's in "stoppped" error on page 181. [vi], 259 pp. Bound in publisher's black cloth with bronze title labels. Good with slight lean, wear at tips, labels worn, endpapers appear to have been replaced and possibly..... More
New York: Charles Scribner's Sons, 1929. First edition, first printing, first issue with matching dates of 1929 on the copyright and title page, and with the Scribner's seal at the bottom of the copyright page lacking the disclaimer on page x. [viii], 355 pp. Bound in publisher's original black cloth..... More
Los Angeles: Holloway House Publishing Co., 1969. First edition. 312, [8] pp. Bound in publisher's wraps. Very Good with single crease to spine,a few stains to edges, pages toned with age, nice shape overall. More
New York: Farrar, Straus & Giroux, 1978. First edition. Signed by Thomas McGuane on the title page. 175 pp. Bound in green boards with green cloth backstrip, front stamped in blind, spine lettered in silver, green top edge. Near Fine, front hinge overopened, faint soiling to edges, in Fine unclipped..... More
London: Heinemann / Contemporary Fiction, 1962. Reprint. Signed by Chinua Achebe on the front free endpaper and inscribed to a former owner. Bound in publisher's original cloth boards. Near Fine with light bumping to corners and tanning to pages. In a Very Good+ unclipped dust jacket with soiling, tanning and..... More
New York: Harcourt, Brace and Company, 1995. First edition, paperback issue. Signed by Mary Oliver on the first blank sheet. Bound in publisher's original blue wraps. Near Fine with light wear to covers, foxing to top of textblock edge. A collection of fifteen prose works. More
![Item #140944906 Myi [We]. Eugene Zamyatin, Yevgeny Zamiatin](https://burnsiderarebooks.cdn.bibliopolis.com/pictures/140944906.jpg?width=320&height=427&fit=bounds&v=1681836909)
New York: Chekhov Publishing House [Izdatelstvo Imeni Tsechova], 1952. First complete edition in Russian. Bound in publisher's original tan wrappers printed in blue. Near fine with light wear and light soiling to wrappers, contents lightly tanned. A fantastic copy. A groundbreaking dystopian novel seen as the predecessor to George Orwell's..... More
New York: Brewer, Warren and Putnam, 1931. First edition, first printing. Bound in publisher's original orange-red cloth stamped in black, lacking the dust jacket. Near Fine with light fading to spine and light softening to spine ends, large rubber stamping to front free endpaper and pages toned. A controversial novel..... More
London: William Heinemann, 1963. First edition, first printing. Bound in publisher's original black cloth-affect boards with spine lettered in gilt. Very Good with lean to binding, rubbing to corners and spine ends, foxing to edge of textblock. Small abrasion and remnant of appendage to rear paste down. In a Very..... More
Santa Barbara: Black Sparrow Press, 1984. First edition, trade issue. 17, [3] pp. Bound in publisher's pink paper-covered boards with purple cloth backstrip, paper spine label. Fine in original acetate wraps, slightly cloudy with age and lightly worn. More
London: Jonathan Cape, 1965. First edition, first issue, second state, binding A with gilt on spine but no gold gun, green endpapers. 221 pp. Bound in publisher's black cloth, gilt spine lettering. Fine in an excellent, unfaded, bright dust jacket, miniscule tear near foot repaired with equally tiny piece of..... More
New York: Covici Friede, 1937. First edition, first printing. First issue of the text with "pendula" on page 9, and a bullet between the two 8's of the page number on page 88. 186 pp. Bound in publisher's cloth stamped in orange and black. Very Good+ with foxing to edges..... More
New York: Charles Scribner's Sons, 1926. First edition, first printing, first issue with 3 p's in "stoppped" on page 181. 259 pp. Bound in publisher's black cloth with bronze title labels. Very Good with lean to binding, wear to cloth at extremities, wear to title labels with chipping to spine..... More