London: William Heinemann Ltd., 1962. First edition, first printing. Bound in original first issue black cloth with spine lettered in gilt; lacking the dust jacket. Near fine with slight lean to binding, light wear and light scuffing to binding, large former owner bookplate to front pastedown, foxing mostly confined to..... More
New York: Simon and Schuster, 1985. First edition, first printing. Signed by Larry McMurtry on the title page. Bound in publisher's black paper boards over black spine cloth lettered in gilt. Fine, in a Near Fine unclipped dust jacket with trivial toning and trivial shelf wear. A fantastic copy. More
New York: Random House, 1995. Advance uncorrected proof, issued to reviewers before the first edition was published. Signed by George Saunders on the title page with a brief inscription. [x], 183 pp. Publisher's patterned wraps. A Fine copy, trivial sticker schmutz to rear wrap. Bright and unread. Publisher's prospectus laid..... More
New York: The Macmillan Company, 1906. First edition, first printing. Gray illustrated cloth with cream lettering on front, gilt spine lettering; lacking the dust jacket. Very Good+ with light wear and light soiling to covers, hinge at front free endsheet partially cracked and several hinges in the text slightly over-opened..... More
New York: Simon and Schuster, 1985. First edition, first printing. Signed by Carl Sagan on the title page. Bound in publisher's original black paper boards over black spine cloth lettered in gilt. Near Fine in a Near Fine unclipped dust jacket with light toning to the flaps. A fantastic copy..... More
Chicago and New York: Herbert S. Stone & Company, 1899. First edition, first printing. Bound in publisher's pale green cloth, decoratively stamped in dark green and red; top edge gilt. Near fine with light darkening to the spine and pages toned. One of the first novels to focus on women's..... More
Mexico City: Edicion de el Colegio Nacional, 1946. First edition. Signed by Mariano Azuela on the half title, inscribed "Al sabio historiador Lic. don Alfonso Foro en testimonio de admiracion Mariano Azuela Junio de 1946." 197, [5] pp. Bound in publisher's illustrated wraps. In Spanish. Very Good+, spine creased with..... More
New York: Farrar, Straus & Giroux, 1969. First edition. x, 237 pp. Bound in publisher's blue cloth and green paper-covered boards,lettered in gilt, red topstain. Fine in price-clipped and lightly rubbed dust jacket, else Fine. A lovely copy of a posthumous collection of the Southern writer's essays. More
London: The Hogarth Press, 1952. First edition. [iv], 252 pp. Bound in publisher's blue cloth with gilt spine lettering. Near Fine with subtle toning to cloth and former owner's name on front free endpaper, in price-clipped dust jacket, faint vertical crease to spine panel. The British author's humorous final novel..... More
New York: Alfred A. Knopf, 1935. First edition. [vi], 216, [2] pp. Bound in publisher's black cloth lettered in white, black topstain. Very Good with light foxing to edges and endpapers, slight lean, former owner's name on paste down written in pencil, in a Very Good dust jacket with wear..... More
New York: Alfred A. Knopf, 1988. Uncorrected proof of the first American edition. [x], 348 pp. Bound in second state white card wrappers. Very Good with light wear along edges, faint cup ring to back wrap. Pages free of markings. More
Toronto: McClelland & Stewart, 1985. First Canadian edition, first printing. Signed by Margaret Atwood and inscribed on the title page. Bound in publisher's original two-toned cloth with white spine lettering. Very Good+ with light wear to spine ends, bump to crown, former owner name to front free endpaper and several..... More
New York: Harcourt Brace Jovanovich, 1973. First edition, first printing. Bound in publisher's original grey cloth with spine lettered in red and black. Near fine with heavy foxing to top of textblock edge and several spots to the fore edge and spine cloth. In a Near Fine unclipped dust jacket..... More
New York: Bobbs-Merrill Company, 1943. First edition, first printing with statement of "First Edition" on the copyright page (all other issue points are irrelevant). Bound in publisher's original first state red cloth with titles on spine and upper board stamped in gilt; lacking the dust jacket. Very Good with sunning..... More
Bolinas, CA: Tombouctou / A Lamplighter Book, 1978. First edition, first printing. Bound in publisher's wraps with black and white author photo on the front cover taken by Rosemary Klemfuss. Very Good with slight lean to binding, light general wear to covers, foxing primarily to the textblock edge but sporadically..... More
New Orleans: B.E. Trice Publishing, 2005. Signed limited edition. From an edition of 325 copies, this one marked "presentation copy" on a slip taped to the exterior of the shirk-wrap. Signed by Cormac McCarthy. As new, still sealed in publisher's shrink-wrap. More
New Orleans: B.E. Trice Publishing, 1998. Signed limited edition, still sealed in publisher's shrink-wrap, as New. Copy number 296 of a limited 325, signed by Cormac McCarthy. The third volume in The Border Trilogy. More
London: Victor Gollancz Limited, 1938. First edition, first printing. Signed by Daphne du Maurier on a Book Society bookplate with "Rebecca" printed above her name. Bound in publisher's original black cloth stamped in gilt; lacking the dust jacket. Near Fine with light lean to spine, light fading to spine cloth..... More
New York: Harcourt Brace Jovanovich, Publishers, [1984]. Uncorrected proof of the first American edition. [xii], 246 pp. Bound in publisher's blue wraps. Near Fine with tiny stain to rear wrap, a little wear at head and tail. Nice shape overall. Uncommon. More
New York: Alfred A. Knopf, 1956. First American edition. vi, 278, [2] pp. Bound in publisher's gray boards with turquoise cloth backstrip with gilt stamping, white spine lettering, pink topstain. Tiny former owner's star stamp to front free endpaper, else Fine in Near Fine unclipped dust jacket, light wear and..... More
Berlin: Im Propylaen-Verlag, 1929. First edition in book form of this iconic novel. A presentation copy signed and inscribed by Erich Maria Remarque on the front free endpaper, "This first edition copy with pleasure to Arthur W. Kelly." Kelly was a British film executive and perhaps Remarque was shopping his..... More
London: Andre Deutsch, 1961. First edition, first printing. Signed by Nobel laureate V. S. Naipaul on the title page. Bound in publisher's original rose paper-covered boards with spine lettered in gilt. Near Fine with a lean to the binding, light sunning and light wear at edges, and foxing heaviest at..... More
New York: The Modern Library, [1942]. Signed by Richard Wright on half title in ink at a November 18, 1945 event at Temple Emanuel in Duluth, Minnesota. Former owner included a scarce postcard she received regarding the event with penciled notes including "he signed my 'Native Son.'" x, 304, [8]..... More
New York: Thomas Y. Crowell, 1886. First American edition, scarce single-volume issue comprising of two separately paginated volumes bound into one. (First complete translation into English as well, following the British partial translation of 1854. This issue not mentioned in Line. Apparently same sheets as two volume issue but with..... More
New York: Charles Scribner's Sons, 1905. First edition, first printing, first issue with no ads at rear. Bound in publisher's red ribbed cloth stamped in gilt, and ruled in blind on the front cover, top edge gilt. Very Good with lean to binding, rubbing to cloth and slight fading to..... More