London: Jonathan Cape, 1957. First edition, first printing. Bound in publisher's black cloth-affect boards stamped in red and silver. Near Fine with slight lean to binding and several tiny stains to the textblock edge, front innter hinge slightly over-opened. In a Near Fine unclipped dust jacket with darkening to spine..... More
London: Faber & Faber Limited, 1930. Signed limited first edition. One of three hundred and fifty copies signed by the Eliot on the limitation page, this is number 197. Bound in publisher's green cloth stamped in gilt. Near Fine with offsetting to endsheets. In glassine dust jacket with slight shrinking..... More
New York: Pantheon Books, 1949. First edition, first printing. xxiii, 416 pp. Bound in publisher's green cloth boards over black spine cloth lettered in gilt. Very Good with lean to binding, moderate edge wear and light soiling to cloth with stray mark to rear cover. Staining to fore edge of..... More
New York: The Viking Press, 1939. First American edition, first printing. [vi], 302 pp. Bound in publisher's gray cloth stamped in black and orange, yellow topstain. Near Fine with very light rubbing to extremities, traces of ownership inscription to front pastedown, and light toning throughout. In Near Fine unclipped dust..... More
New York: Villard Books, 1984. Uncorrected proof, issued before publication of the first American edition. Signed by Leonard Cohen on the title page. [vi], 88 pp. Bound in publisher's red wraps. Near Fine, subtle sunning to spine, Date added in pen to front wrapper. A rare format of a signed..... More
New York: Alfred A. Knopf, 1994. First edition, first printing. Signed by Bret Easton Ellis on the front free endpaper, inscribed to former owner. [x], 226 pp. Bound in publisher's black cloth and boards, spine lettered in silver. Fine in Near Fine dust jacket, lightly shelf worn. A collection of..... More
London: Methuen and Company, 1936. First edition. x, 211 pp. w/ eight plates. Bound in publisher's blue cloth lettered in black lettering. Near Fine with lightly foxed edges, contents bright, in a Near Fine dust jacket, spine slightly toned with a small pen mark and a tiny stain at the..... More
Philadelphia and New York: J. B. Lippincott Company, 1959. First edition, first printing. Signed by Pat Frank on the front free endpaper and warmly inscribed to a Washington Post literary editor, "For Glendy Culligan - who has sent me so many books, I send this one with admiration. Tangerine '59."..... More
San Cristobal, NM: Lama Foundation, 1970. First edition. Bound in publisher's brown paper sheets bound with twine, mandala label mounted on front cover; extremely rare in the original mailing box with all supplements present. Painted Cakes Do Not Satisfy Hunger; Cookbook for a Sacred Life, quotation booklet; Our Story My-Story..... More
New York: Henry Holt and Company, 1935. Reprint. Signed by Robert Frost on the front free endpaper. Bound in publisher's green paper-covered boards over dark green spine cloth stamped in gilt. Near Fine with trivial touches of wear to binding and small stain to rear cover, gilt slightly rubbed and..... More
London: Faber & Faber, 1999. First edition, signed limited issue. Number 283 of a limited 300 copies signed on a tipped-in leaf by Seamus Heaney; with a facsimile frontispiece of the opening page of the Nowell Codex manuscript. Bound in publisher's cream paper-covered boards over red cloth spine lettered in..... More
New York: Farar, Straus and Company, 1964. First edition, first printing. Signed by John Berryman and inscribed to a former owner on the front free endpaper. Bound in publisher's dark blue cloth with spine lettered in gilt. Very Good+ with soiling to cloth, small paper residue to front paste down..... More
New York: Alfred A. Knopf, 1927. First edition, signed limited issue. Number 4 of a limited 175 copies, signed by Willa Cather. Bound in publisher's marble paper-covered boards over green spine cloth with black morocco label stamped in gilt; lacking the slipcase. Near Fine with light fading to spine, faint..... More
[New York]: [Privately Printed], [1944]. First edition, first printing. Bound in publisher's orange wraps printed in black. Good. Curled and creased throughout. Covers toned, corner lacking from front cover, rear cover stained and chipped at bottom corner. Notations on verso of front cover, front hinge tender with toning and faint..... More
London: Faber and Faber Limited, 1932. First edition. Number 100 of a limited 115 copies, signed by T. S. Eliot. Bound in publisher's blue vellum with spine lettered in gilt; lacking the scarce cellophane dust jacket. Very Good with faded spine and top edge of upper board, light wear at..... More
London: Published by, 1916. First edition, number 18 of 122 copies printed on Italian hand-made paper, from an edition of 200 copies only. Folio. Bound in publisher's white wraps printed in black, title page printed in red. Very Good. Covers generally spotted, spine sewing just loose at bottom though the..... More
London: SCM Press, 1962. First English-language edition, first printing. 589 pp. Bound in publisher's cloth stamped in black and silver. Slight lean to binding, else Fine in a Near Fine unclipped dust jacket with slightly toned spine pane, faint foxing to rear flap. A very bright, handsome copy of the..... More
New York: The Viking Press, 1949. First English-language edition, first printing. Signed by Bernard Goldstein on the half title page and inscribed in Yiddish to a former owner. [vi], 296 pp. Bound in publisher's red and black cloth stamped in gilt, map endpapers. Fine in a Near Fine unclipped dust..... More
New York: Henry Holt, 1914. First edition, second issue, binding B of Robert Frost's second regularly published book. One of 150 copies bound from sheets from Frost's British publisher David Nutt, published by Henry Holt with the title page a cancel. Bound in publisher's drab gray-brown boards with brown cloth..... More
New York: Abbeville Press, 1986. A fourteen-month calendar, signed by Keith Haring on the December 1986 leaf. Spiral bound in publisher's pictorial wraps. Near Fine with light edge wear and small sharpie pen mark to front cover at center. A calendar for the year 1987 featuring the late American pop..... More
London: The Golden Cockerel Press, 1936. Two volumes. First edition, number 96 of a limited 1,000 copies. Bound by Sangorski and Sutcliffe in original three-quarter crushed terra cotta morocco over yellowish-tan cloth. Lacking the laid in pocket and two folding maps it houses. Near Fine with light soiling and toning..... More
Detroit, MI: Broadside Press, 1972. First edition, first and only printing. One of 500 unnumbered copies, this one is a review copy with publisher's slip laid in with publication details handwritten in blue ink. [4]pp., single 8.5" x 11 sheet folded in half to measure 5.5"x8.5. Near Fine with light..... More
New York: Henry Harrison, 1938. First edition, first printing. 173, [3] pp. Bound in publisher's black cloth stamped in white. Near Fine with slight slant, rubbing, and fading to spine. Foxing to endpapers, occasional penciled asterisk to margins, toning to pages 94 - 95 from slip previously laid in. Bookplate..... More
San Francisco: Four Seasons Foundation, 1968. First trade edition, first printing. Presentation copy signed on the title page by Richard Brautigan and inscribed to William Hjortsberg, Brautigan's friend and posthumous biographer. [vi], 138 pp. Bound in publisher's original illustrated wraps. Near Fine with light soiling and shelf wear, crease to..... More
New York: The Modern Library, 1934. First printing of the Modern Library edition, and fourth overall. Bound in publisher's green cloth semi-flexible boards stamped in gilt. Near Fine with lean to binding, light wear to spine ends and light fading to cloth along edges. In a Very Good+ dust jacket..... More