New York: Atheneum, 1968. First American edition. Signed by Peter Brook on first blank page, inscribed to former owners "For Jane and Bob with many wishes Peter Brooks 1973." [ii], 141, [3] pp. Bound in publisher's cream cloth, front stamped in blind, spine lettered in red, red topstain, black endpapers..... More
New York: The Seabury Press, 1975. First edition. Signed by Terence McKenna on half title, inscribed to former owner, "Keep the shamanic faith!". x, 242 pp. Bound in publisher's blue cloth with gilt spine lettering. Very Good, spine a little sunned, former owner's inkless emboss on title page, slightly scuffed..... More
Millbrook, NY: The Neo-American Church Inc., 1967. First edition. Unpaginated. Bound in publisher's wraps. Very Good+ with light shelf wear, a little bump/creasing to spine near foot, small stain to rear wrap. Pages free of marking or coloring. Neo-American Church membership applications at rear still intact. An uncommon black-and-white LSD..... More
New York: Alfred A. Knopf, 1997. First American edition, first printing. Signed by Haruki Murakami on the title page. [viii], 611, [3] pp. Bound in publisher's illustrated boards. Bottom corners slightly bumped, else Fine in a Fine unclipped dust jacket. Includes publisher's advance excerpt, bound in wraps, 71 pp. Fine..... More
New York: Alfred A. Knopf, 2005. First edition, first printing. Signed by Cormac McCarthy, one of an unspecified limitation signed by him on a tipped in sheet at the front. [x], 309, [3] pp. Bound in publisher's black paper-covered boards with spine lettered in gilt. Fine in a Fine unclipped..... More
New York: Harmon Foundation Incorporated, 1933. First edition. 56 pp. Bound in publisher's illustrated stapled self-wraps. Near Fine with light wear to wraps. A rare catalogue of African American art with a short essay, "The Negro Takes His Place in American Art" by Alain Locke. Exhibiting artists include Malvin Gray..... More
New York: Harmon Foundation Incorporated, 1935. First edition. 60 pp. Bound in publisher's illustrated stapled self-wraps. Very Good+ with scuffing and light soiling to wraps. A rare guide to an important African American art and sculpture exhibit with many black and white photos of the work as well as the..... More
London: The Black Man Publishing Co., 1937. 20 pp. Bound in publisher's wraps. A Fair copy with wraps detached and chipped along edges, old tape on rear wrap, two smaller archival tissue pieces holding on chips, vertical crease throughout magazine, cup stain to front wrap, soiling to wraps. A scarce..... More
Boston: Ticknor and Fields, 1854. First edition. Ads dated April 1854, the earliest date but no priority as per BAL 20106. Map has S.W. Chandler & Bro. imprint. 357, [3, blank], [2, rear endpaper], 8 [ads] pp. with map facing p. 307. Bound in publisher's blind-stamped brown cloth with gilt..... More
New York: Random House, 1952. First edition, first printing. Signed by Whittaker Chambers and inscribed on the half-title page. Bound in publisher's original black cloth boards with spine lettered in gilt and white. Very Good with rubbing to spine lettering and light wear to covers. Hinge exposed at title page..... More
New York: The Macmillan Company, 1920. First edition. Signed by Vachel Lindsay on the paste down and front free endpaper with a lengthy inscription to the former owner, Spokane, Washington, 1924. [ii], iv, 329 pp. Bound in publisher's brown cloth decorated in blue, black , and gold. Very Good+, worn..... More
London: Hutchinson & Co. (Publishers), Ltd., [1927]. First edition. (Precedes the American edition.) 318, [2] pp. Bound in publisher's navy cloth with blue stamping. Very Good+ with sunning along top edge of front board and to spine (through jacket), name on front free endpaper, light foxing to edges, in correct..... More
Sauk City, WI: Arkham House, 1946. First edition. xxvi, 475, [1] pp. Bound in publisher's black cloth with gilt spine lettering. Very Good+ with subtle bowing to boards, contents toned with age, in Very Good+ dust jacket, spine panel dulled, light soiling to rear panel, head and tail worn, tiny..... More
Oberlin, OH: Oberlin College, 1966. First edition. [vi], [30] pp. Bound in publisher's side-stapled wraps. Near Fine with light wear, toned with age, slight corner crease to contents. A mimeographed booklet civil rights for a conference on civil rights at Oberlin College in Oberlin, Ohio. Includes "Notes from an Alienated..... More
New York: Harcourt, Brace & World, Inc., 1961. First American edition. Signed by Witold Gombrowicz on front free endpaper, inscribed to the former owner and dated in the year of publication. 272 pp. Bound in publisher's blue cloth with front stamped in blind, spine lettered in silver. Near Fine with..... More
New York: Harper & Brothers, 1945. First edition. vi, 57 [1] pp. Bound in publisher's black cloth with titles blocked in brown, lettered in gilt. Very Good+, poet William Matchett's copy with his name and the date (1946) on front free endpaper, bumped corners, in a Very Good dust jacket..... More
New York: Seven Stories Press, 1998. First edition. Signed by Gary Webb on the half title, inscribed to the former owner with Webb's AOL email address. xxviii, 548 pp. with eight pages of b/w photos. Fine in Fine dust jacket. An attractive copy. A very rare signature. Journalist Gary Webb's..... More
Princeton, WI: Kitchen Sink Press, 1992. First edition, limited issue. Signed by Jerry Garcia on a bookplate affixed to the front free endpaper. Artist's proof., #AP of 500 in the limitation. vi, [ii],119 pp. Bound in publisher's black cloth with silver spine lettering, raised silver skull design to front board..... More
New York: E.P. Dutton & Company Inc., 1978. First edition, first printing. xii, 257, [3] pp. with 24 pages of b/w photos. Bound in publisher's wraps. Good+ with creased spine, wraps bow out along edges, corners bumped, binding seems fragile. Rare. The author's debut, a paranormal/occult/ Fortean classic that inspired..... More
[New York]: [Dead Language Press], [1962]. First edition. Signed by Jack Smith on verso of front wrap, inscribed to poet Kirby Congdon "To Kirby with choked up strangled emotions...... Jack." [20] pp. Illustrated with 19 gelatin silver contact prints, comprising 18 photographs by Smith mounted on yellow pages, and one..... More
New York: The Macmillan Company, 1962. First edition, first printing. Signed and warmly inscribed by Barbara W. Tuchman to a former owner on the verso of the front free endpaper. Laid in is a note from Tuchman to the same owner. Boung in publisher's original black cloth stamped in silver..... More
Chicago: Stone & Kimball, 1894-1895. The Stedman/Woodberry edition, #72 of 250 sets in the large paper edition. Complete in ten volumes. Bound in publisher's full vellum with beautiful, elaborate gilt stamping with an Arts and Crafts-style floral design. Illustrations printed on thin India paper. Does not contain extra portfolios; that..... More
Washington, D.C. Government Printing Office, 1964. First edition. Complete in 26 volumes plus the uncommon summary report, all bound in publisher's navy cloth stamped in gilt. Very Good, pages free of markings, light scuffing and rubbing to cloth, stain to top edge of volumes XII and XIV. Very faint cup..... More
London: Jonathan Cape, 1929. First edition, first issue. Signed and inscribed by Robert Graves on the front free endpaper. The first issue is unexpurgated and contains the passage about Siegfried Sassoon's mother receiving messages from his brother who had been killed in the war on lines 11-19 on p. 290..... More
St. Louis, MO: Charles F. Haanel, 1927. First edition, first printing. Signed by Charles F. Haanel on the front free endpaper. Laid in is a related pamphlet. Bound in publisher's original dark blue cloth stamped in gilt. Near Fine with wear and light discoloration to spine ends, pages toned. More