New York: Crosby Gaige, 1928. Signed limited first edition. Copy 525 of a limited 800 numbered copies, signed by James Joyce. Bound in publisher's brown cloth stamped in gilt with boards decorated in blind. Near Fine with faint rubbing to cloth at spine ends, faint stains to covers and a.... More
New York: The Macmillan Company, 1936. First edition, first printing, with "Published May, 1936" on the copyright page. Near Fine, with light reading curve to spine and light wear to cloth at extremities. Front and rear inner hinges slightly exposed. Previous owner name on front free end paper, pages lightly... More
New York: J. B. Lippincott Company, 1935. First edition, first printing. Bound in publisher's orange cloth stamped in brown, lacking the dust jacket. Very Good, though dust soiled. Ex-libris bookplate of Bishop Edward Thomas Demby to front pastedown. Demby was an influential African-American Bishop who founded and edited The Southwest... More
New York: Herny Holt and Company, 1942. First trade edition, stated first printing. Signed by Robert Frost on the front free endpaper, and warmly inscribed to a former owner. Near Fine, with light toning to pages and spine cloth, light rubbing to gilt stamping, small bookseller ticket to rear pastedown... More
New York: The Viking Press, 1956. Signed limited edition, precedes the first trade edition. Bound in publisher's green cloth stamped in black, green and red, in publisher's red original slipcase. Near Fine, in a Very Good slipcase, rubbed, especially at the joints with one joint split. One of 985 copies... More
New York: Harper & Brothers, 1952. First edition, first printing with "I-B" code on copyright page. Publisher's buff cloth binding, lacking the dust jacket. Very Good, Lean to spine, cloth lightly soiled. Small stain to top and side edge of textblock. Small stain to front free endpaper, pages thumbed. A.... More
New York: Boni and Liveright, 1926. First edition, limited issue. Copy 57 of 77 numbered copies signed by E. E. Cummings. Publisher's gold-speckled black paper over boards with black cloth spine stamped in gilt, lacking the publisher's slipcase. Very Good, with lean to spine. Paper chipped at edges and worn... More
New York: Boni and Liveright, 1927. First edition, limited issue. Copy 92 of 160 numbered copies signed by E. E. Cummings. Publisher's black paper over boards with vellum back and corners, stamped in gilt on the front cover and black on the spine, lacking the slipcase. Very Good, dust-soiled, vellum... More
New York: The Viking Press, 1962. First edition, first printing. Good. Cloth heavily foxed. Stitching slack at rear, causing the final grouping of pages a bit loosened. In a Good price-clipped dust jacket, with toning and light staining. Steinbeck's bestselling American travelogue. More
London: Lovat Dickson & Thompson Limited, 1935. First edition, first printing. Bound in publisher's beige cloth decorated in green. Good, with toning to cloth at head, and light soiling. Offsetting to endsheets. Pages toned, thumbed soiled, with heavy soiling to first four pages of text and minor soiling throughout, and... More
New York: The Macmillan Company, 1936. First edition, first printing, with May, 1936 on the copyright page. Very Good, with toning to spine with wear at the spine ends, short split to bottom front spine joint. Cloth rubbed at edges. Small portrait of Margaret Mitchell tipped in to front free... More
New York: Alfred A. Knopf, 1931. First edition, limited issue signed by Cather on colophon at front; copy #243 of 619 thus. (Crane A17). 280, (1) pp. Fine linen marbled curl cloth, leather spine title label lettered in gilt, gilt topstain. Fine in Good+ original heavy cream dust jacket with... More
New York: Macmillan & Co., 1926. First edition. viii, 137, 4 (ads) pp. Blue paper-covered boards with tan cloth backstrip, paper title labels, green topstain. Fine in fragile unclipped dust jacket, easily Very Good with slightly toned spine panel, tear along fore edge fold of front panel, a bit of... More
New York: Alfred A. Knopf, 1922. First thus. (First expanded edition, reprinting Crapsey's 1915 debut with additional poems.) 107 pp. Beautifully patterned paper over boards, tan cloth backstrip with paper label. Basically Fine with a little rubbing along bottom and top edges in Very Good+ or better unclipped jacket with... More
London: Heinemann, 1956. First edition, first printing. Publisher's blue cloth binding, with spine lettered in silver. Very Good. Lean to binding, cloth lightly rubbed at tips, top edge of textblock foxed. In a Very Good dust jacket, dust-soiled, edge-worn with small chips and shorts teats, including a tear at the... More
New York: Random House, 1976. Signed by Charles M. Schulz, inscribed to a former owner on the first page. Publisher's illustrated pink laminated boards, lacking a dust jacket. Near Fine, with corners bumped and light shelf wear, small scuff to bottom corner of front cover. More
New York: Charles Scribner's Sons, 1911. First edition, first printing. First state with "wearily" on page 135, line 21 in perfect type. Bound in publisher's red cloth binding, with titles tamped in gilt, top edge gilt. Very Good, with light shelf lean, fading to spine cloth, small faint stain to... More
New York: W.W. Norton & Company, Inc., 1987. First edition. Signed by Erikson on front free endpaper, inscribed to former owner. xxvi, 782 pp. Original black cloth with gilt lettering. Near Fine with a little foxing to fore edge, slight concavity to spine, in Fine dust jacket. A summary of... More
New York: The Viking Press, 1983. First edition. Signed by author on title page with printed name crossed out. 171 pp. Original green paper covered boards and yellow cloth backstrip, spine lettered in black and red. Near Fine with stamp of literary licensing firm Candida Donato and Associates on front... More
Boston: Houghton Mifflin Company, 1947. First edition. 266 pp. Original gray cloth with pictorial black lettering, red top stain. Near Fine in Very Good unclipped dust jacket with small chips at extremities, closed tear along foot. The African-American author's follow-up to her debut novel The Street, set in New England. More
Beverly Hills / New York: Gagosian Gallery, 1998. First edition, first printing. Signed by Edward Ruscha during the New York exhibition, inscribed "For the library at Casa McGrath" and dated Feb. 2, '99. Publisher's black cloth over boards with titles in blind. Near Fine with light shelf wear and a.... More
New York: McClure, Phillips & Co., 1903. First edition, first printing. Very Good with cloth rubbed at extremities; faint cup ring and deep indent to front cover. Rubber ownership stamp of the College Equal Suffrage League to the front and rear free endsheets. Gilman's scathing attack on the domesticity of... More
New York: Harper & Row, 1966. First American edition, first printing. In publisher's black cloth binding stamped in blue. Very Good. Title lettering on spine is rubbed, cloth shelf worn and lightly faded. Pages toned and with several small stains. In a Very Good dust jacket with publisher's price intact... More
New York: Holt, Rinehart and Winston, 1966. First edition stated, first printing. Signed by John Ashbery on the front free endpaper, inscribed to a former owner and dated in the year of publication. In publisher's beige cloth covered boards with titles printed in black on the spine. Very Good, with... More
