New York: Boni & Liveright, 1926. First edition. 283 pp. Publisher's black cloth with yellow lettering, pictorial endpapers. About Very Good with slightly sunned spine, light wear, textblock fallen, hinges split but holding. The first appearance of the Harlem Renaissance novel. More
New York: D. Appleton and Company, 1871. First American edition. Complete in two volumes, both dated 1871 on the title pages, with postscript at front of Volume II. Good. CLoth soiled and darkened, rubbed at extremities with chipping at spine ends. Pages toned. Pencil notations, staple punctures and remnants of..... More
[New York]: [Privately published by Dan Burley], 1944. First edition. Bound in publisher's organge wraps printed in black with "Copyright by Dan Burley" rubber stamp to front cover. A fragile copy. Good with general wear, loss at base of spine and tear along bottom front joint; joints tender. Light staining..... More
[No Place]: [No Publisher], 1989. Comb-bound, printed on sheets of various colors. Unpaginated. Near Fine with light wear. A thick collection of Grateful Dead lyrics, plus lyrics to songs the Dead often covered. A memento of rabid Deadhead culture at the close of the '80s, transcribed by the anonymous Deadeditor..... More
New York: Pantheon Books, 1993. First American edition. Signed by Leonard Cohen on the title page in ink with his heart stamp. [xvi], 415 pp. Original cloth, spine lettered in silver. Near Fine with faint foxing to top edge, spine cloth slightly discolored, in a Near Fine dust jacket with..... More
New York: The Macmillan Company, 1914. First edition. (First printing with title page dated 1914, "Set up and electrotyped. Published October, 1914." on copyright page with no additional printings listed.) xviii, 246, [6, ads] pp. Publisher's boards with green cloth backstrip, paper title labels. A Very Good copy with light..... More
New York: Delacorte Press, 1973. First edition, first printing. Signed by the author on the half title page. Bound in publisher's orange cloth with titles stamped in gilt and black, yellow topstain. Near Fine in a Near Fine lightly shelf worn dust jacket with price intact. Housed in a custom..... More
Boston: Little, Brown & Company, 1914. First edition. viii, 120 pp. Publisher's tan cloth stamped in red and black. A Very Good+ copy with light wear, small stain to title page and tissue-guard; one illustrated plate loose, laid in; 1914 gift inscription on front free endpaper. Lacking jacket. An attractive..... More
London: Humphrey Milford, 1918. First edition. [viii], 124 pp. with two tissue-guarded portrait plates and two double page facsimile manuscripts. Publisher's boards and linen backstrip. Very Good with title label mostly worn away, boards a bit soiled, former owner's name written on front free endpaper. The first Victorian poet's true..... More
New York: Alfred A. Knopf, 1974. First edition, first printing. Signed by Robert A. Caro on the title page. Bound in publisher's original black cloth with spine lettered in gilt. Very Good with some water stains to the top and corner of textblock, affecting topstain and very slightly intruding into..... More
![Alturas de Macchu Picchu [The Heights of Macchu Picchu]. Pablo Neruda, Martin Chambi, Photographs](/pictures/thumb/140940808.jpg?v=1608089269)
Chile: Nascimento, 1954. Signed limited edition, and the first printing of this edition. Bound in publisher's printed stiff wraps with yapped edges. Copy number 993 of 1,000, signed by Pablo Neruda on the limitation page. Very Good with light lean to spine, light general wear and light creasing to wraps..... More
Garden City, NY: Doubleday & Company, Inc., 1978. First edition stated, first printing. Signed by Octavia E. Butler on the front free endpaper. Near Fine with light shelf wear, remainder spray to bottom textblock edge. In a Near Fine unclipped dust jacket, which is lightly toned and lightly soiled, and..... More
New York: Gnome Press, 1950. First edition, first printing of this science fiction classic. Bound in publisher's original red cloth stamped in black; lacking the dust jacket. Near Fine with light mottling and light wear to cloth. Spine lightly creased. Pages toned and with several tiny stains to the textblock..... More
New York: John Wiley & Sons, 1997. First edition, first printing. Signed by Merton H. Miller on the front free endpaper. Bound in publisher's black cloth lettered in gilt. Bump to edge of lower board, else Fine. In a Near Fine dust jacket with light shelf wear. Signed by the..... More
New York: Henry Holt and Company, 1893. Early edition. Title pages dated 1893. xii, 689; vi, 704, 8 pp. Two volumes. Publisher's dark green cloth with gilt spine lettering, dark brown endpapers. Very Good with worn heads with short tears, Vol. 1 front hinge cracked but holding, former owner's name..... More
London: Martin Secker, 1929. First English-language edition, first printing. [viii], 309, [3] pp. Publisher's gray cloth with red lettering, red topstain. Minor mottling to cloth, else Fine in a Very Good unclipped dust jacket, dulling to and rubbing along spine panel, a few stains to back panel. Rare in jacket..... More
Garden City, New York: Doubleday & Company, 1974. First edition stated, first printing with publisher's P6 code at gutter of page 199. Signed by Stephen King and inscribed to a former owner on the title page. Bound in publisher's maroon cloth lettered in gilt on the spine. Very Good or..... More
San Francisco: Straight Arrow Books, 1973. First edition, first printing. Bound in publisher's printed wraps. Signed by the photographer Bill Owens in the half-title page. Near Fine with light soiling and shelf wear to wraps, and a long diagonal crease to the rear cover. Previous owner gift inscription to half-title..... More
New York: Simon & Schuster, 1993. First edition, first printing. Signed by Peter Lynch on the title page. Bound in publisher's paper-covered boards over magenta cloth spine. Near Fine with light shelf wear and bumping to corners. In a Near Fine unclipped dust jacket with light shelf wear; blank verso..... More
New York: Harper & Brothers, Publishers, 1927. First American edition. (Stated "First Edition" on copyright page with date code "C-B" corresponding to March 1927; most other copies appear to have "E-B," May 1927 date. Jacket appears to vary too with red on this copy's jacket, later examples likely dropped the..... More
London: Faber & Faber, Ltd., 1986. First British edition. (Paperback original, issued same year as an American edition with priority unknown.) Signed by Edward W. Said on front free endpaper; ticket to the ICA glued to half title page by former owner, their handwritten note on it is "Edward Said..... More
New York: Vintage Books, 2013. Uncorrected proof, issued before the first edition. Signed by Tao Lin on the front free endpaper, inscribed to former owner with a small bug drawing, dated 1/20/13. [viii], 258, [1] pp. Wraps. Very Good with a few faint stains to wraps, light shelf wear. The..... More
New Haven: Yale University Press, 1957. First edition, first printing. ix, 384 pp. Navy cloth with gilt lettering on spine. Former owner's private ex libris impression on front free endpaper, else Fine and unmarked. In an attractive dust jacket, spine panel toned, wear at head and tail, price-clipped, sticker shadow..... More
Boston: Houghton Mifflin Company, 1942. First edition. (First printing with date, 1942, printed on title page.) x, 294 pp. Publisher's turquoise cloth lettered in black. Near Fine with former owner's name on front free endpaper, tiny scratch to cloth along top edge, in Very Good unclipped ($3.00) dust jacket, rubbed..... More
Portland, OR: The Impossibilists, ca. 1980s. Seven issues of the rare ephemeral publication from the Impossibilists, a Portland, OR collective of artists and writers primarily associated with mail art. Founded by Mark Sargent and Tom Cassidy in 1977, the Impossibilists had an absurdist aesthetic and were active in a variety..... More