Houston, TX: Arte Publico Press, 1984. First edition, first printing. Signed by Sandra Cisneros on the title page. Bound in publisher's original illustrated wraps. Very Good+ with light rubbing to wraps with small crease at bottom corner of front cover and light sunning to spine. Previous owner name written inside..... More
London: George Routledge & Sons, LTD., 1944. First edition, first printing. Bound in publisher's original black cloth with gilt titles on spine. Near Fine with some light wear at edges, gilt stamping on spine is sharp and bright. Pages toned with light foxing to front endsheet and textblock edge. Two..... More
New York: Charles L. Webster & Company, 1887. First edition, first printing. Bound in publisher's green cloth decorated in gilt. Very Good with area of discoloration to front cover, inner front hinge exposed, tape repair to tear at copyright page and pages toned. One of the more difficult titles to..... More
New York: The Viking Press, 1927. First edition, first printing. [x], 56 pp. Original gilt paper covered boards with black cloth backstrip lettered in gilt. Very Good with some edge wear to covers. Previous owner bookplate to front paste down, pages toned. In a Good dust jacket, tattered and toned..... More
London: The Hogarth Press, 1927. First edition, first printing. Bound in publisher's blue cloth with spine lettered in gilt; lacking the dust jacket. Very Good with cloth soiled, rubbed at extremities, slightly darkened at the spine and with lettering dulled. Pages toned and with foxing throughout. Light ink spotting to..... More
New York: The Viking Press, 1955. First edition. [xi], 499 pp. Publisher's navy cloth with tan cloth backstrip, spine lettered in blue. Fine with slightly age-toned pages in a Near Fine unclipped dust jacket, spine a little dulled, light wear along top edge. A very neat, clean copy. The Nobel-winning..... More
New York: Tony Shafrazi Gallery, 1983. Set of six postcards in a neon orange/red envelope measuring 5.5" x 5" intended to promote Keith Haring's silkscreen portfolio entitled "The Fertility Suite." This set includes five photographic reproductions of the silkscreens, plus one informational postcard. Envelope lightly rubbed and several cards show..... More
New York: Henry Holt and Company, 1916. First edition, first printing, first issue with a line repeated on page 88, and "come" instead of "gone" on page 93. 99 pp. Publisher's dark navy cloth with gilt lettering and ruling. 1917 gift inscription to front free endpaper, else Fine, lacking the..... More
London: Sidgwick & Jackson, Ltd., 1911. First edition. viii, 88 pp. Publisher's navy cloth with paper spine label. A Very Good or better copy, spine label chipped at edges and rubbed, cloth at head worn, contents bright and unmarked. The only book of the idealistic British poet's published during his..... More
Boston: Houghton Mifflin Company, 1960. Signed by John Howard Griffin on half-title. [x], 176 pp. Publisher's off-white cloth stamped in black. Seventh printing of the first edition. A Near Fine copy in an unclipped dust jacket with chip at foot, else Very Good with rubbing and edge wear, spine panel..... More
Paris: The Olympia Press, 1954. First English-language edition. 187, [3] pp. Original purple wraps over card covers. A Very Good copy with rubbing along edges, sunning to spine and along edges, wear at head and foot. An uncommon paperback original that presents well, often found in rough shape. A...... More
New York: Charles Scribner's Sons, 1911. First American edition, first printing. Bound in publisher's green cloth elaborately stamped in gilt; lacking the dust jacket. Very Good, with gilt on spine completely rubbed, spine toned, previous owner bookplate and bookseller ticket to front paste down. Pages toned and one illustrated plate..... More
New York: Harcourt, Brace and Howe, 1920. First American edition, first printing. Bound in publisher's dark blue cloth with publisher's monogram in blind on the upper board and titles in gilt on the spine; lacking the dust jacket. Near Fine with light shelf wear, faint shelf lean, faint foxing to..... More
Santa Barbara: Black Sparrow Press, 1977. First edition. Signed limited edition, #177 of 300 copies. Near Fine with light sunning to corduroy spine cloth, light toning to edges of boards, light soiling to textblock edge. Stray ink mark to front free endpaper. In publisher's Very Good acetate wrapper, crimped on..... More
New York: St. Martin's Press, 1984. First edition. [x], 191 pp. Publisher's black cloth, spine lettered in gilt. A Fine copy in a very Near Fine dust jacket, unclipped, spine panel barely sunned at all, a few tiny rub spots to back panel. The first Hoke Moseley novel, which inspired..... More
New York: Doubleday Doran and Company, 1935. First edition. viii, 275 pp. Original cloth tan stamped in crimson. Very Good+ with foxing to cloth at spine and edges, former owner's name on front free endpaper, one gathering of pages is a little proud. In a Very Good+ unclipped dust jacket..... More
New York: New Directions, 1952. First edition. 34, [2] pp. Publisher's blue cloth lettered in crimson. Near Fine with former owner's name written on front free endpaper, in unclipped dust jacket with chip in front panel near foot, top edge a little chipped as well, rubbing, toning to spine panel..... More
London: J. Wilford, 1733-134. Together five volumes, uniformly bound in modern paper-backed marbled boards, spines gilt-lettered. All epistles (not Part I) in the original size, uncut. First edition, first issue of Part I according to Griffith (not yet an epistle, A copy, collating A-E2, trimmed and probably not the smaller..... More
London: Ray Stevenson, 1977. First edition. Signed by Ray Stevenson on front cover, inscribed to former owner, "Thanks for the Ponies[?] time off." [60] pp. Illustrated wraps. Near Fine with light shelf wear and slightly bumped corners. The suppressed first printing of what would become The Sex Pistols File with..... More
London / Washington, D.C. Heinemann / Three Continents Press, 1978. First edition in the English language. Wraps. [vi], 90 pp. Very Good with light wear, slightly bumped corners, former owner's emboss and penciled name on half-title, prelims a little creased. A major work of 20th century Arab literature by a...... More
New York: Simon & Schuster, 1995. Signed advance uncorrected reader's proof. [x], 249 pp. Yellow wraps with publisher's sticker. A Fine copy. Signed by Crews on title page. An uncommon advance issue. More
New York: Vintage Books, 1984. Signed first edition. [xvi], 182, [4] pp. Wraps. Pages well-toned with age, else Near Fine. One of the quintessential '80s novels, issued as a paperback original in the Vintage Contemporaries series. Signed by the author on the front free endpaper. More
HarperSanFrancisco, 1993. First American edition, first printing. Bound in publisher's dark blue paper-covered boards over dark blue spine cloth lettered in silver; in an unclipped dust jacket. Fine, with trivial shelf wear. More
New York: Hermitage House, 1950. Fourth printing of the first edition. Signed by L. Ron Hubbard and inscribed to a former owner on the verso of the front free endpaper. Very Good with light soiling and shelfwear to cloth, waterstain to yellow topstain only minutely intruding into margins. In a...... More
London: Chatto & Windus, 1932. First edition, first printing. Bound in publisher's blue cloth with spine lettered in gilt; lacking the dust jacket. Very Good or better with lean to binding, cloth lightly rubbed at extremities and with several faint water splashes, slight darkening to spine. Pages lightly toned, small..... More