Boston: Atlantic / Little, Brown & Company, ? Inscribed to former owner on the half title by poet, as well as signed by her on title page. 88 pp. 24th printing. Wraps. Near Fine with light shelf wear. Winner of the 1984 Pulitzer Prize for Poetry, uncommon signed. More
New York: Harper & Row, 1965. First edition. Inscribed to former owner on title page, "From Virgil Tibbs and John Ball." 184 pp. Original half cloth and boards, lettered in silver. Near Fine with a few finger smudges, in price-clipped dust jacket, easily Very Good+ with a lot less wear... More
New York: Random House, 1960. First edition. Signed by Hellman on the front free endpaper. 116 pp. Original cloth and paper-covered boards with photo mounted on front board. Fine in unclipped dust jacket with faint staining to front panel, spine panel darkened, Very Good+ or better. The award-winning play, which... More
New York: Delacorte Press, 1972. First edition. Signed by Vonnegut on half title, inscribed to former owner. 284 pp. Original black cloth lettered in silver with silver paper-covered front board. Small bump to top edge, else Fine in Near Fine price-clipped dust jacket with piece of tape on verso of... More
Toronto: McClelland & Stewart, 1993. First edition, limited deluxe issue signed by Cohen on colophon at front. Copy #47of 100 such copies. [xx], 415 pp. Original navy cloth with silver lettering, housed in cloth clamshell box with mounted illustration on front board and silver lettering, chemise with three color prints... More
San Francisco: Freewheelin Frank, 1968. First edition. 12 loose, single-sided sheets (approx. 8" x 10.25") printed in color, laid into folder. Near Fine folder with a little toning and foxing, Fine sheets. San Francisco secretary of the Hell's Angels Motorcycle Club Frank Reynolds told his life story to Beat... More
New York: Maecenas Press - Random House, 1969. Signed by Salvador Dali. Folio. Publisher's leather backed linen clam shell case with perfectly intact leather straps and horn claps, containing a brown stiff cloth cover housing unbound folded sheets. Limited edition, copy #1271 of 2,500, signed by Salvador Dali on the... More
New York: Alfred A. Knopf, 1919. First edition, first printing. Signed by Kahlil Gibran on the front free end paper, and inscribed to a former owner as dated in 1923. Publisher's tan cloth spine over tan paper covered boards decorated in gilt. Very Good. Extremities rubbed and bumped, scattered surface... More
San Francisco: The Arion Press, 1991. One of 26 lettered hors de commerce copies matching the limited edition of 150 copies. Quarter brown morocco and green silk covered boards, spine lettered in gilt. A Near Fine copy with a little fraying along silk edges, a few scuffs. With signed etching... More
London: Michael Joseph, 1962. Advance uncorrected proof copy of the first edition. Bound in publisher's beige printed wraps. Very Good. Creases to spine, rubbing to joints, wraps creased, light streaking to front cover. Textblock edges dust-soiled and lightly foxed. One of Lessing's best-known works, rare in this advance format. More
New York: Simon and Schuster, 1928. First American trade edition, first printing. Bound in publisher's ribbed green cloth decorated in gilt and stamped in blind on the front cover. Near Fine, with light bruising to spine ends, ding to top edge of textblock. In a Very Good dust jacket, toned... More
Jerome, Arizona: M. Kimberly Press, 1995. First edition and only edition. A truly unique and hand-made artist's book, signed by Mare Blocker. Four panels bound in accordion-style, with original artwork on six sides created with ink and gouache, with four contiguous sides showing a lively bar scene inhabited by anthropomorphic... More
Ames Lake/Portland/Washington D.C. M. Kimberly Press, 1991. First edition, limited to 125 copies printed for the National Museum, signed by Katherine Dunn and Mare Blocker. Bound in publisher's orange and black tiger striped cloth with a turquoise question mark in glitter on the front cover. An elaborate production adorned with..... More
London: Geoffrey Bles, 1950. Twenty-first printing with type newly re-set. Signed by C. S. Lewis on the front free endpaper. Publisher's black cloth with spine lettered in silver. Near Fine, with light wear to cloth, faint cigar smoke odor to pages. In a Good Only tattered dust jacket, missing large... More
New York: The Viking Press, 1981. Signed. First edition, first printing. Signed by Stephen King on the front free endpaper and inscribed to a former owner. Near Fine with light shelf wear, one corner rubbed, light soiling to edge of textblock and foxing to top edge, several page corners creased... More
Boston: Fields, Osgood & Co., 1870. First edition, first issue without the story "Brown of Calaveras." (viii), 239 pp. Original burgundy cloth with gilt spine lettering, brown endpapers. An attractive unsophisticated copy in much better shape than usually found. Front hinge cracked, else Near Fine with a few tiny spots... More
New York: Simon and Schuster, 1960. First edition. Signed by author on title page. 180, [1] pp. Original half cloth lettered in black. Near Fine, pages toned with age, tiny stain on fore edge, in Very Good+ unclipped ($3.50) dust jacket with small surface tear to front panel, two small... More
Princeton, New Jersey: Princeton University Press, 1960. First edition. Inscribed by Herman Kahn to former owners, "To Sally and Roger Eaton, In honor of our unfinished [?] frontier - both Canadian and Soviet. [signed] Herman Kahn." xx, 651 pp. Original maroon cloth lettered in gilt, ruled in black. Near Fine... More
Los Angeles: Black Sparrow Press, 1973. First edition, #107 of 250 copies signed by Cassavetes in black ink on rear limitation page. 116 pp. with 12 pages of photos. Fine in original clear acetate jacket with a little curling at edges. The screenplay for the 1971 film by the same... More
Boston: Beacon Press, 1959. Signed by James Baldwin on title page in blue ink. 175 pp. Wraps. Second printing of the First Beacon Press paperback edition. Good+ with spine slightly cocked and creased with a faint dampstain, edges a little foxed and rubbed, endpapers lightly foxed as well. The African-American... More
London: Leonard Smithers and Co., 1899. First British edition, first English language edition. Bound in publisher's grey cloth stamped in dark blue, with Spring 1899 adverts at rear. Very Good, with cloth lightly soiled, lightly edge worn, corners softened. Front inner hinge is exposed and tender. Foxing sporadically throughout. Originally... More
London: Faber and Faber, 1939. First edition. Signed limited edition. Copy number 48 of 425 numbered copies signed by James Joyce. Bound in publisher's red cloth binding with spine lettered in gilt, in publisher's yellow cloth-covered slipcase. Near Fine. Red cloth faintly rubbed, faintly faded at the spine, gently bruised... More
New York: Atheneum, 1968. First American edition. 300, [1] pp. Original half cloth backstrip with oatmeal cloth, lettered in green and orange. Fine in Near Fine unclipped dust jacket with a closed tear to the top of the front panel, light rubbing, very tiny nick to spine panel. The French... More
New York: Alfred A. Knopf, 1975. First American edition. 316, [1] pp. Original blue cloth lettered in gilt. Fine in Very Good unclipped dust jacket with tear in bottom corner of front panel, a few small pieces of archival mending tissue on verso, tiny chip at head. The French Nobel... More
