![Sult [Hunger]. Knut Hamsun](/pictures/thumb/140943487.jpg?v=1653022685)
Copenhagen: P. G. Philipsens Forlag, 1890. First edition of one of the earliest modernist novels, in the original Norwegian language. Bound in publisher's original red cloth boards stamped in gilt. Very Good with light lean to binding, fading to the spine, light staining to cloth and short splits to the..... More
New York: J. F. Tapley Co., 1923. First edition. Bound in publisher's dark brown leatherette binding over semi-flexible boards, with emblem stamped in gilt on front cover, in original glassine wrapper housed in original brown card-paper box with two publisher's prospectuses laid in. Fine, virtually as new, in a Near..... More
London: Hutchinson, 1978. First edition. 534 pp. Bound in publisher's gray cloth with silver lettering. Light foxing to fore edge, else Fine in a Very Good+ unclipped dust jacket with wear at extremities. An historical study of 20th century military and intelligence developments in psychology, covering interrogations and brainwashing, propaganda..... More
Belfast, Ireland: Simms and McIntyre, 1846. First English language edition of The Count of Monte Cristo, preceding the slightly more common London edition of Chapman & Hall with an anonymous translator. Also the first Irish edition. Bound in 19th century half calf over marbled boards, with spine rebacked. Near Fine..... More
New York: Alfred A. Knopf, 2005. Advance uncorrected proof of the first edition, not to be confused with the much more common advance reader's edition. Bound in publisher's red wraps printed in black. Near Fine with light wear to wraps, contents bright and fresh. More
New York: Charles Scribner's Sons, 1926. First edition, first printing, first issue with 3 p's in "stoppped" on page 181. 259 pp. Bound in publisher's black cloth with bronze title labels. Good+ with cloth soiled and worn, faded at the spine. Corners softened. Binding a little pulled at the front..... More
New York: Frederick A. Stokes, 1911. First American edition, first printing. Publisher's blue cloth stamped in gilt, and decorated in blind on the front board, top edge gilt. Very Good. Cloth worn and soiled, spine lightly faded, previous owner name to front free endpaper, foxing to prelims and terminals. Pages..... More
Paris: The Black Sun Press, 1929. First edition. Copy #39 of 150 copies on Hollande Van Gelder Zonen to be sold at the bookshop of Harry F. Marks in New York. [viii], 55, [3] pp. Bound in publisher's wraps in glassine, housed in gold foil chemise with ribbon ties. Near..... More
Paris: The Black Sun Press, 1929. First edition. Copy #30 of 100 copies on Hollande Van Gelder Zonen. [xii], 73, [4] pp. Bound in publisher's wraps in glassine, housed in gold foil chemise with ribbon ties. Fine in excellent glassine with hardly any wear, in a Very Good+ chemise, rubbed..... More
Philadelphia: J. B. Lippincott Company, 1937. First edition, first printing. Bound in publisher's original orange cloth lettered in black; lacking the dust jacket. Very Good with light lean to binding, cloth soiled and worn at the corners and spine ends, rubbing to corner of textblock bottom edge. Pages toned with..... More
New York: The Macmillan Company, 1952. First American edition, first printing. Bound in publisher's original pale green cloth stamped in dark blue. Very Good with toning to pages and to cloth at edges. In a Very Good price-clipped dust jacket with fading to spine and edges, light soiling, toning to..... More
New York: Harper & Row, 1963. First edition, first printing with Library of Congress card number 63-21253 on title page. Signed by Maurice Sendak on the half-title page. Bound in publisher's original illustrated paper-covered boards with gray cloth backstrip; lacking the dust jacket. Very Good with foxing/browning to covers, light..... More
New York: Elizabeth Sifton Books / Viking Penguin Inc., 1985. First edition, first printing. Signed by the author and inscribed to a former owner on the half-title page. Near Fine with light toning, remainder marks to bottom textblock edge and several page corners creased. Price-sticker removal evidence to front pastedown..... More
New York: Summit Books, 1985. First edition, first printing. Signed by Oliver Sacks on the front free endpaper. Bound in publisher's pale green paper-covered boards over red spine cloth lettered in gilt. Very Good with light dulling to gilt, light soiling, several light marginal check marks penciled throughout, pages toned..... More
London: Cassell & Company, 1923, 1927 & 1933. 1923, 1927 & 1933. Three volumes, all first edition, first printings. Bound in publisher's original brown cloth stamped in black and gilt. Very Good. Cloth with light general wear, darkening and light sporadic splashes. Foxing to textblock edges. Volume I has slight..... More
New York: Horace Liveright, 1930. First American edition, preceded by the Paris edition published by Black Sun Press. Signed by Hart Crane on the front free endpaper. Bound in publisher's original dark blue cloth ruled in blind, with titles in gilt on spine and upper board. Near Fine with sunning..... More
![Cien Sonetos de Amor [One Hundred Love Sonnets]. Pablo Neruda](/pictures/thumb/140943473.jpg?v=1652767308)
Santiago, Chile: Prensas de la Editorial Universitaria, 1959. Folio. First edition with text in the original Spanish language. Copy number 198 of a limited 270 signed by Pablo Neruda in his characteristic green ink. In publisher's original wraps printed in black red, with lithograph signed by the illustrator laid in..... More
New York: Doubleday and Company, 1973. Reprint. Signed by Wilson Rawls and inscribed to a former owner on the front free endpaper. Bound in publisher's original brick red cloth with spine lettered in black and white. Near Fine with light wear to corners and spine ends, pages toned and several..... More
London: George Routledge & Sons, 1937. First edition of the first gay guide to London, offering "an ironic--if heavily veiled--indictment of contemporary sexual mores." Ostensibly taking the form of coded dialogue taking place in the "Theleme Club" between a young man with prophetic knowledge of the city telling an older..... More
New York: St. Martin's Press, 1984. Book club edition. Signed by Octavia E. Butler on the title page. Bound in publisher's original black paper-covered boards with titles in magenta. Near Fine with slight lean to binding. In a Near Fine dust jacket with light rubbing and light edge wear. More
New York: St. Martin's Press, 1984. First edition, first printing. Signed by Octavia E. Butler on the title page. Bound in publisher's original black cloth-affect boards with spine lettered in gilt. Near Fine with faint wear to spine ends, faint foxing to textblock edge. In a Near Fine unclipped dust..... More
New York: Warner Books, 1987. First edition, first printing. Signed by Octavia E. Butler on the title page. Bound in publisher's original green paper-covered boards over dark blue spine cloth lettered in gilt. Near Fine in a Near Fine unclipped dust jacket. The first title in the multiple Hugo and..... More
New York: Seven Stories Press, 1998. First edition, first printing. Signed by Octavia E. Butler on the title page and inscribed to a former owner. Bound in publisher's original black paper-covered boards with spine lettered in silver. Crease to pp. 339/340 else Fine in a Near Fine unclipped dust jacket..... More
New York: Harper & Brothers, 1940. First edition, first printing. Bound in publisher's dark blue cloth with titles blocked in red and off-white. Pages toned, previous owner name to front paste down and foxing to endsheets, still Fine. In a Very Good unclipped first issue dust jacket a bit edge-worn..... More
[New Paltz, NY]: [Mohonk Mountain House], 1913. Broadside measuring 14" x 11". Time and date left blank. Fine. Bright with trivial wear. An unused copy of a broadside prepared by or for Mohonk Mountain House in connection with African American educator and author Booker T. Washingtopn's more or less annual..... More