Paris: L'auteur, H. Nicolle (impr. des freres Mame), 1808-1812. First edition. Complete in four volumes, including all 288 colored plates, four frontispieces, and half titles. Bound in contemporary boards, sympathetically rebacked recently with gilt stamping, morocco labels, touch-ups to corners. Large folios, measuring 17.5" x 23" x 2", with wide..... More
Philadelphia: J. B. Lippincott Company, 1938. First edition, first printing. Bound in publisher's original bronze cloth stamped in black. Near Fine with light soiling to cloth, light wear to spine ends, pages tanned. In a Near Fine price-clipped dust jacket with light soiling and light edge wear, slight fading to..... More
London: Jonathan Cape, 1965. First edition, first printing, an association copy signed by John Lennon on the front free endpaper. From the library of Victor Spinetti, with his initials in ink to the last page. Spinetti was a Welsh actor, author, poet, and raconteur. He appeared in dozens of films..... More
Cleveland, OH: Renegade Press, 1964. First edition. One of a stated 105 copies. Bound in publisher's stapled wraps. Near Fine, leaves that stick out of top slightly creased, a little toned with age. Rare. Concrete poetry of bad words with prints by the author, a legendary rebel poet from Cleveland..... More
New York & Philadelphia: Published by J.J. Audubon and J.B. Chevalier, 1840-1844. First Octavo Edition. Complete in seven volumes. Bound in contemporary half green morocco and marbled boards, spines lettered and decorated in gilt, top edges gilt, marbled endpapers. Half titles present in all volumes, lists of additional subscribers at..... More
New York: Ballantine Books, 1955. First edition, first printing. Bound in publisher's blue cloth lettered in darker blue. Very Good with wear to cloth at edges, bruise to head of spine. Front endsheet soiled, pages tanned. In a Very Good unclipped ($2.75) dust jacket with rubbing and light wear, wear..... More
New York: The Viking Press, 1941. First edition, first printing. Bound in publisher's beige cloth stamped in green; lacking the scarce dust jacket. Near Fine with light soiling and light wear to cloth, light toning to spine. Offsetting to endsheets from binder's glue, former owner name in pencil to front..... More
London: Groombridge and Sons, 1864. First edition, first printing. Bound in contemporary full calf decorated in gilt, all edges marbled. Very Good, binding moderately scuffed and worn at the extremities. Pages foxed, tanned and with age-related stains. Former owner inscription to verso of front free endpaper. Mary Ward was an..... More
Boston: Houghton Mifflin / Seymour Lawrence, 1990. First trade edition in first issue jacket with folds slightly off. Signed by Tim O'Brien on the title page. [xiv], 273 pp. Bound in black paper-covered boards with black cloth backstrip, lettered in gilt. Remainder mark to bottom edge, else Fine in a...... More
Pasadena: Upton Sinclair, 1920. First edition, copy #174 of a limited issue of 500 copies signed by Eugene Debs on limitation mounted on rear paste down. Purple cloth with gilt lettering. Near Fine with oxidation to gilt stamping with some rubbing to lettering on the spine, hinge slightly over-opened at..... More
London: Chatto and Windus, 1936. First edition, limited issue. Copy #111 of a limited 200 copies, signed by the Aldous Huxley. Bound in publisher's original patterned paper-covered boards over brown spine cloth lettered in gilt. Near Fine with light edge wear, uneven toning to rear cover faint waviness to pages..... More
New York: Harper & Row, 1985. First paperback edition, first printing. Signed by Andy Warhol in black marker on the front cover. Bound in publisher's silver, black and white wraps. Near Fine with light wear, slight water warping to the top corners of the early leaves. A photographic study of..... More
London: George Routledge & Sons, LTD., 1944. First edition, first printing. Bound in publisher's original black cloth with gilt titles on spine, lacking the scarce dust jacket. Near Fine with slight lean to the binding, light wear at extremities and soiling to cloth, corners bumped and pushed in. A lovely..... More
London and Cambridge: Macmillan & Co., 1862. First edition, first printing. Bound in publisher's original dark blue ribbed cloth with upper board and spine decorated in gilt, and lower board decorated in blind. Near Fine with light rubbing to cloth, light wear to spine ends. Old bookseller ticket to front..... More
New York: Works Publishing Company, 1939. First edition, first printing of the foundational Alcoholics Anonymous text. Bound in publisher's original red cloth with titles stamped in gilt on the spine and upper board; lacking the scarce dust jacket. Near Fine with faint soiling and several faint scratches to cloth, spine..... More
New York: Bantam Books, 1996. First American edition, first printing. Signed by George R. R. martin on the title page. Light wear to binding at extremities and character names hand-written to map at rear endsheet. In a Near Fine unclipped dust jacket with light wear and light separating to laminate..... More
![Item #140944779 X [10] War Elegies. William Everson, Kemper Nomland Jr, Illustrations](/pictures/thumb/140944779.jpg?v=1679862879)
Waldport, OR: Untide Press, 1943. First edition. (This edition has mimeographed contents and silkscreened covers, and ten poems rather than the later eleven. One of 100 copies according to Everson's biographer Lee Bartlett.) [20] pp. Bound in publisher's wraps glued over stapled contents, silkscreened in yellow and black. Very Good..... More
Chicago: Shasta Publishers, 1950. First edition, first printing, one of an undetermined number of copies issued to subscribers with a blank page signed by Robert Heinlein inserted between the front free endpaper and the title page leaf. Very Good with tanning to pages and spotting to textblock edge. In Very..... More
Chicago: Shasta Publishers, 1953. First edition, first printing, signed by the author on a leaf inserted by the publisher, and one of 500 copies so signed. Very Good with lean to binding. Foxing to prelims, terminals and textblock edge, pages tanned. Ina Very Good unclipped dust jacket with toning, foxing..... More
New York: Harper & Row, 1971. First edition. (First printing with complete number line at rear.) Signed by William Peter Blatty on the front free endpaper, inscribed in the year of publication "To Nancy- With all my best, + the hope you'll avoid Princess phones! Bill Blatty May 28, 1971."..... More
London: George Redway, 1886. First edition. xliii, [1], 349, [1], 38, [2] pp. Bound in publisher's blue cloth stamped in gilt, front board ruled in red, pale yellow endpapers. Very Good, spine cloth toned, a little staining to cloth, tiny tea to cloth at head, extremities slightly worn, occasional thumbsoil..... More
London: Cassell and Company, 1943. First edition. 339 pp. Bound in publisher's cloth, spine lettered in navy. Very Good with light foxing to edges, bumped corners, offsetting to endpapers, penciled inscription on front free endpaper and paste down; in a Good+ dust jacket with chip at foot, wear at extremities..... More
New York: Julian Press Inc, Publishers, 1966. First edition, first printing. x, [iv], 286, [12] pp. Bound in publisher's black cloth with red and blue stamping to front board, gilt spine lettering. Fine in unclipped dust jacket with a tiny stain to the front panel, else Fine. An excellent copy..... More
London: Office of the National Illustrated Library, 1852. Second edition. viii, 303, [1]; viii, 324, [4, ads] pp. Bound in publisher's brown cloth, elaborately blindstamped with gilt-stamped spines, gilt topstain, yellow endpapers with publisher's ads. Complete in two volumes. Very Good+, lightly worn at head and tail, slightly bumped corners..... More
New York: Grove Press, 1962. First American edition, first printing in second issue jacket with "i a" on back panel. 174 pp. Bound in publisher's two-toned boards with green spine lettering. Near Fine with wear to front free endpaper, in a Very Good unclipped ($3.50) dust jacket, rubbed, worn at..... More