Paris: Contact Editions, [1925]. First edition. [vi], 338, [1] pp. Bound in publisher's wraps. Very Good with soiling to wraps, chipping at spine ends, spine maybe have been repaired with glue at some point, toning to pages, bookplate, a few stray marginal marks (presumably those of Flores). Wear to front..... More
New York: B. W. Huebsch, 1916. First American edition, first printing. Bound in publisher's original pale green cloth lettered in dark green. Near Fine with sunning to spine and light rubbing to spine ends, bookplate to front paste down, light foxing to preliminary and terminal pages, pages lightly toned. One..... More
New York: The Viking Press, 1939. First edition, first printing. Publisher's black cloth binding lettered in gilt. Fine, with fading to topstain near spine, in a Near Fine unclipped dust jacket with several tiny edge-tears, and very light soiling. A striking copy of a book and jacket typically found in..... More
London: Faber and Faber, 1939. First edition, first printing. Bound in publisher's red cloth with spine stamped in gilt. Near Fine with previous owner bookplate to front free end paper, offsetting to prelims; pages toned, and with foxing to prelims and terminals. In a Very Good dust jacket with publisher's..... More
London: Shakespeare and Company, 1927. First trade edition, first printing. Bound in publisher's original pale green paper-covered boards lettered in dark green. Near Fine with toning to covers, light wear to spine with minute loss at head and tail. Small previous owner bookplate to front paste down, and light toning..... More
London: Shakespeare and Company, 1927. First edition, first printing. Bound in publisher's original pale green paper-covered boards lettered in dark green. Very Good with rubbing and wear to spine, toning and light soiling to covers. A nice copy. More
New York: B.W. Huebsch, 1916. First edition, first printing. 299 pp. Original blue cloth with gilt spine lettering, blind stamped front board. A Near Fine copy with an owner inscription on top of first page, dated 1917; small faint stains to front board and top edge, little bit of rubbing..... More
Paris: Shakespeare and Company, 1922. First trade edition, first printing. One of 750 numbered copies from an edition of 1,000 total copies, this being number 909. Finely bound in full dark blue morocco decorated in gilt, with inner dentelles, top edge gilt; bound without first two and final blank leaves..... More
London: John Lane the Bodley Head, 1937. First British trade edition, first printing. [viii], 766, [2] pp. Publisher's green cloth with gilt lettering. Very Near Fine with subtle bowing to boards, a little offsetting to endpapers and few tiny stains, in an unclipped dust jacket, very lightly shelfworn, else Fine..... More
Paris: Shakespeare and Company, 1926. Eighth printing, and the first to have the type entirely re-set. Bound without wraps in mid-twentieth century cloth, utilizing the title from original front cover to title the spine; cloth lightly lifted at seams. Very Good. Several James Joyce-related clippings tipped in to preliminary pages..... More
London: The Egoist Press, 1922. First British edition. (Published by John Rodker in London, October of 1922, following the Paris printing in February the same year. Technically printed in France, but for British private distribution.) [vi], 732 pp. Bound in publisher's printed wraps, on handmade paper. Copy #275 in a...... More
London: John Lane the Bodley Head, 1937. An exceedingly scarce presentation copy of the first English edition printed in England, limited issue signed by James Joyce. One of 100 copies (from a total edition of 1000 copies, this copy unnumbered) printed on mould-made paper and bound in full calf vellum..... More
London: Audio Arts (Eo Epso Ltd.), 1974. Cassette in case with folded J-card. Vol. 1 No. 3. NM. Contents: A1 –Margaret Henry "A Question Of James Joyce" A2 –James Joyce reading from Finnegans Wake, "Anna Livia Plurabella" B –Mark Hayman "Recollections Of C.K. Ogden And Others"; interviewer..... More
