New York: Crosby Gaige, 1928. Signed limited first edition. Copy 525 of a limited 800 numbered copies, signed by James Joyce. Bound in publisher's brown cloth stamped in gilt with boards decorated in blind. Near Fine with faint rubbing to cloth at spine ends, faint stains to covers and a...... More
London: Grant Richards, 1914. First edition, first printing. Bound in publisher's original red cloth lettered in gilt; lacking the dust jacket. A Fine and bright copy, with gilt still sharp. Cloth with light touches of wear, faint water-spot near foot of spine extending to rear cover, trivial rubbing to rear..... More
New York: B. W. Huebsch, 1916. First American edition, first printing. Bound in publisher's original pale green cloth lettered in dark green. Near Fine with sunning to spine and light rubbing to spine ends, bookplate to front paste down, light foxing to preliminary and terminal pages, pages lightly toned. One..... More
New York: The Viking Press, 1939. First edition, first printing. Publisher's black cloth binding lettered in gilt. Fine, with fading to topstain near spine, in a Near Fine unclipped dust jacket with several tiny edge-tears, and very light soiling. A striking copy of a book and jacket typically found in..... More
London: Faber and Faber, 1939. First edition. Signed limited edition. Copy number 48 of 425 numbered copies signed by James Joyce. Bound in publisher's red cloth binding with spine lettered in gilt, in publisher's yellow cloth-covered slipcase. Near Fine. Red cloth faintly rubbed, faintly faded at the spine, gently bruised..... More
London: Faber and Faber, 1939. First edition, first printing. Bound in publisher's red cloth with spine stamped in gilt. Near Fine with previous owner bookplate to front free end paper, offsetting to prelims; pages toned, and with foxing to prelims and terminals. In a Very Good dust jacket with publisher's..... More
London: Shakespeare and Company, 1927. First trade edition, first printing. Bound in publisher's original pale green paper-covered boards lettered in dark green. Near Fine with toning to covers, light wear to spine with minute loss at head and tail. Small previous owner bookplate to front paste down, and light toning..... More
London: Shakespeare and Company, 1927. First edition, first printing. Bound in publisher's original pale green paper-covered boards lettered in dark green. Very Good with rubbing and wear to spine, toning and light soiling to covers. A nice copy. More
New York: B.W. Huebsch, 1916. First edition, first printing. 299 pp. Original blue cloth with gilt spine lettering, blind stamped front board. A Near Fine copy with an owner inscription on top of first page, dated 1917; small faint stains to front board and top edge, little bit of rubbing..... More
New York: Random House, 1934. First authorized American edition, first printing in first state jacket with designer's name, Reichl, at bottom of front panel. xvii, 768 pp. Original cream-colored cloth lettered in black and red. Very Good+ with toning to spine cloth and pages;d light foxing to cloth and textblock..... More
New York: Random House, 1934. First American edition. Original cream-colored cloth lettered in black and red. Near Fine with toning to spine cloth, vertical line of reside or offsetting to front and rear free endpapers, and pages toned. In a Near Fine first state jacket with designer's name, Reichl, at..... More
Paris: Shakespeare and Company, 1922. First trade edition, first printing. One of 750 numbered copies from an edition of 1,000 total copies, this being number 909. Finely bound in full dark blue morocco decorated in gilt, with inner dentelles, top edge gilt; bound without first two and final blank leaves..... More
London: John Lane the Bodley Head, 1937. First British trade edition, first printing. [viii], 766, [2] pp. Publisher's green cloth with gilt lettering. Very Near Fine with subtle bowing to boards, a little offsetting to endpapers and few tiny stains, in an unclipped dust jacket, very lightly shelfworn, else Fine..... More
Paris: Shakespeare and Company, 1926. Eighth printing, and the first to have the type entirely re-set. Bound without wraps in mid-twentieth century cloth, utilizing the title from original front cover to title the spine; cloth lightly lifted at seams. Very Good. Several James Joyce-related clippings tipped in to preliminary pages..... More
London: Audio Arts (Eo Epso Ltd.), 1974. Cassette in case with folded J-card. Vol. 1 No. 3. NM. Contents: A1 –Margaret Henry "A Question Of James Joyce" A2 –James Joyce reading from Finnegans Wake, "Anna Livia Plurabella" B –Mark Hayman "Recollections Of C.K. Ogden And Others"; interviewer..... More
